imslp logoimslp logo

Various

Artaserse

•

3 acts

Plus d’informations

Partition

Conducteurs

Broschi Arias


Artaserse
Artaserse

Public Domain

Unidentified Publisher, n.d.(ca.1734).

Maison d’édition

London: Unidentified Publisher, n.d.(ca.1734).

Remarques diverses

Condensed scores

Droits d’auteur

Aria: In sen mi tace

Aria: Se al labbro mio non credi

Act III, Sc.1. Aria: Son qual nave ch'agitata

Artaserse
Artaserse

Gabriel Bachmanov, 2018.

Éditeur scientifique

Maison d’édition

Gabriel Bachmanov, 2018.

Droits d’auteur

Aria: In sen mi tace

Artaserse
Artaserse

Claus Fischer.

Éditeur scientifique

Maison d’édition

Claus Fischer

Remarques diverses

Original Version of the aria as sung in the pasticcio version of Hasse's "Artaserse" in London during the season 1734/35. - Later the aria was extended by an opening instrumental ritornello and additonal melismatic passages; in this form it was interpolated in various other operas, such as Pergolesi's "L'Olimpiade" and even the first Neapolitan performance of Gluck's "Orfeo ed Euridice". - Source: "The Favourite Songs in the Opera call'd Artaxerxes", J. Walsh, London c. 1735. - Facsimile reprint: Arnaldo Forni, Bologna 1980.

Droits d’auteur

Aria: Se al labbro mio non credi

Artaserse
Artaserse

Music Edition Baroque Opera, 2020.

Éditeur scientifique

Dragan Karolic (b. 1960)

Maison d’édition

Remarques diverses

Originally sung by Farinelli. Score with audio available on YouTube: Act III, Sc.1. Aria: Son qual nave ch'agitata, Aria: Se al labbro mio non credi.

Droits d’auteur

Act III, Sc.1. Aria: Son qual nave ch'agitata

Aria: Se al labbro mio non credi

Hasse Arias


Unidentified Publisher, n.d.(ca.1734).

Maison d’édition

London: Unidentified Publisher, n.d.(ca.1734).

Remarques diverses

Probably not the London revival of 1734.

Droits d’auteur

Act II, Sc.11. Aria of Arbace: Per questo dolce amplesso

Act II, Sc.15. Aria of Artabano: Pallido il sole

Sur cette page

Artaserse

3 acts

Plus d’informations

Broschi Arias

Broschi Arias


Unidentified Publisher, n.d.(ca.1734).

Maison d’édition

London: Unidentified Publisher, n.d.(ca.1734).

Remarques diverses

Condensed scores

Droits d’auteur

Broschi Arias


Artaserse
Artaserse

Gabriel Bachmanov, 2018.

Éditeur scientifique

Maison d’édition

Gabriel Bachmanov, 2018.

Droits d’auteur

Broschi Arias


Artaserse
Artaserse

Claus Fischer.

Éditeur scientifique

Maison d’édition

Claus Fischer

Remarques diverses

Original Version of the aria as sung in the pasticcio version of Hasse's "Artaserse" in London during the season 1734/35. - Later the aria was extended by an opening instrumental ritornello and additonal melismatic passages; in this form it was interpolated in various other operas, such as Pergolesi's "L'Olimpiade" and even the first Neapolitan performance of Gluck's "Orfeo ed Euridice". - Source: "The Favourite Songs in the Opera call'd Artaxerxes", J. Walsh, London c. 1735. - Facsimile reprint: Arnaldo Forni, Bologna 1980.

Droits d’auteur

Broschi Arias


Artaserse
Artaserse

Music Edition Baroque Opera, 2020.

Éditeur scientifique

Dragan Karolic (b. 1960)

Maison d’édition

Remarques diverses

Originally sung by Farinelli. Score with audio available on YouTube: Act III, Sc.1. Aria: Son qual nave ch'agitata, Aria: Se al labbro mio non credi.

Droits d’auteur

Hasse Arias

Hasse Arias


Unidentified Publisher, n.d.(ca.1734).

Maison d’édition

London: Unidentified Publisher, n.d.(ca.1734).

Remarques diverses

Probably not the London revival of 1734.

Droits d’auteur