Partition
Interprétations
Partitions
Arthur Napoleão, n.d.
Maison d’édition
Rio de Janeiro: Arthur Napoleão, n.d. Plate ??7?, ??77.
Remarques diverses
Seems to be published by Napoleão (Edição escolar, edited by João Nunes), though this needs proof (compare with Souvenirs, Op.20) -- (why? the leap in the Napoleão plate table, if that is what is referred to, may be more apparent than real)
Droits d’auteur
Holograph manuscript, 1894.
Maison d’édition
Holograph manuscript, 1894.
Droits d’auteur
Casa Bevilacqua, No. 8702, n.d.(ca.1915).
Maison d’édition
Rio de Janeiro: Casa Bevilacqua, No. 8702, n.d.(ca.1915). Plate 2019.
Remarques diverses
8702 on the title page may stay for Bevilacqua's edition (= plate) number. The present plate number (2019) is obviously Rieter-Biedremann's.
Droits d’auteur
Francielle Lima, 2022.
J. Rieter-Biedermann, 1893.
Maison d’édition
Leipzig: J. Rieter-Biedermann, 1893. Plate 2020.
Droits d’auteur
Arthur Napoleão, n.d.
Maison d’édition
Rio de Janeiro: Arthur Napoleão, n.d. Plate ??7?, ??77.
Remarques diverses
Seems to be published by Napoleão (Edição escolar, edited by João Nunes), though this needs proof (compare with Souvenirs, Op.20) -- (why? the leap in the Napoleão plate table, if that is what is referred to, may be more apparent than real)
Droits d’auteur
Holograph manuscript, 1894.
Maison d’édition
Holograph manuscript, 1894.
Droits d’auteur
Casa Bevilacqua, No. 8702, n.d.(ca.1915).
Maison d’édition
Rio de Janeiro: Casa Bevilacqua, No. 8702, n.d.(ca.1915). Plate 2019.
Remarques diverses
8702 on the title page may stay for Bevilacqua's edition (= plate) number. The present plate number (2019) is obviously Rieter-Biedremann's.
Droits d’auteur
Francielle Lima, 2022.
J. Rieter-Biedermann, 1893.
Maison d’édition
Leipzig: J. Rieter-Biedermann, 1893. Plate 2020.
Droits d’auteur