imslp logoimslp logo
Traetta, Tommaso

Traetta, Tommaso

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

Plus d’informations

Partition

Interprétations

Partitions

Stabat mater
Stabat mater

Public Domain

Manuscript, n.d.

Maison d’édition

Manuscript, n.d.

Remarques diverses

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

Droits d’auteur

Complete Score

Holograph manuscript, n.d.[1767].

Maison d’édition

Holograph manuscript, n.d.[1767].

Remarques diverses

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

Droits d’auteur

Complete Score

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

Éditeur scientifique

Maison d’édition

Stefano Paparozzi, 2022.

Remarques diverses

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

Droits d’auteur

Complete Score

Stabat mater

1750

•

8 movements (Parma version)
11 movements (Munich version)

Plus d’informations

Manuscript, n.d.

Maison d’édition

Manuscript, n.d.

Remarques diverses

Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)

Droits d’auteur

Holograph manuscript, n.d.[1767].

Maison d’édition

Holograph manuscript, n.d.[1767].

Remarques diverses

Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594

Droits d’auteur

Stabat mater
Stabat mater

Stefano Paparozzi, 2022.

Éditeur scientifique

Maison d’édition

Stefano Paparozzi, 2022.

Remarques diverses

This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.

Droits d’auteur