Magnificat in G major, FaWV H:G1
Plus d’informations
Partition
Conducteurs
Holograph manuscript, n.d.(ca.1721-27).
Copiste
Johann David Heinichen (editor, revisor and "updater" as well as merely copyist; see RISM)
Maison d’édition
Holograph manuscript, n.d.(ca.1721-27).
Remarques diverses
This file is based on high-resolution images obtained from the source using a method explained on this page. Full SLUB resolution.
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2423-E-502 (edition by Heinichen; date of 1727 assumed to be Fasch, but other elements of the ms are believed to be interventions on Heinichen's part- not unprecedented, just as it is widely believed that Pisendel intervened in the copies he made of violin concertos, etc.)
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2423-E-502 (edition by Heinichen; date of 1727 assumed to be Fasch, but other elements of the ms are believed to be interventions on Heinichen's part- not unprecedented, just as it is widely believed that Pisendel intervened in the copies he made of violin concertos, etc.)
Droits d’auteur
Per Arne Karlsson, 2025.
Magnificat in G major, FaWV H:G1
Plus d’informations
Holograph manuscript, n.d.(ca.1721-27).
Copiste
Johann David Heinichen (editor, revisor and "updater" as well as merely copyist; see RISM)
Maison d’édition
Holograph manuscript, n.d.(ca.1721-27).
Remarques diverses
This file is based on high-resolution images obtained from the source using a method explained on this page. Full SLUB resolution.
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2423-E-502 (edition by Heinichen; date of 1727 assumed to be Fasch, but other elements of the ms are believed to be interventions on Heinichen's part- not unprecedented, just as it is widely believed that Pisendel intervened in the copies he made of violin concertos, etc.)
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2423-E-502 (edition by Heinichen; date of 1727 assumed to be Fasch, but other elements of the ms are believed to be interventions on Heinichen's part- not unprecedented, just as it is widely believed that Pisendel intervened in the copies he made of violin concertos, etc.)
Droits d’auteur
Per Arne Karlsson, 2025.