Partition
Interprétations
Partitions
G. Ricordi & C., 1952.
Éditeur scientifique
Gian Francesco Malipiero (1882–1973)
Maison d’édition
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Droits d’auteur
Instrumental Music, I-Tn Giordano 31 (38).
Maison d’édition
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Remarques diverses
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Droits d’auteur
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Éditeur scientifique
Maison d’édition
Éditions il delirio fantastico
Remarques diverses
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
G. Ricordi & C., 1952.
Éditeur scientifique
Gian Francesco Malipiero (1882–1973)
Maison d’édition
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Droits d’auteur
Instrumental Music, I-Tn Giordano 31 (38).
Maison d’édition
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Remarques diverses
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Droits d’auteur
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Éditeur scientifique
Maison d’édition
Éditions il delirio fantastico
Remarques diverses
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.