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Corrêa de Araujo, Francisco

Tiento de primero tono, FO 1

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Tiento de primero tono, FO 1
Tiento de primero tono, FO 1

Max Polijakowski.

Éditeur scientifique

Max Polijakowski

Maison d’édition

Max Polijakowski

Remarques diverses

My own transcription of the Tiento de primero tono by Arauxo from Facultad Organica, Nr. 1. Source score in Musescore format (>= 2.0.3) as well as MusicXML included.

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Complete Score

Source Files

Tiento de primero tono, FO 1
Tiento de primero tono, FO 1

Rodrigo Vicente Manzanal Ruiz, 2026.

Éditeur scientifique

Maison d’édition

Rodrigo Vicente Manzanal Ruiz, 2026.

Remarques diverses

Although usually editions are transcribed from the original work from Correa, there are differences between my edition, that of Santiago Kaster (CSIC, Barcelona, 1948), and Max Polijakowski (ISMP 430564). For my edition I transcribed the music using historical editions "BNE R/9279", "BNE "R/14069", "KBR RISM A/I/2 C 3956", "Library of Congress MT182 .C7 LCCN 30003280", "BnF RES-335" and "Ajuda RISM A/I: C 3956". It was necessary to use so many sources as there were several places where it was very difficult to distinguish the correct notes.

Droits d’auteur

Complete Score

Engraving file (MuseScore)

Tiento de primero tono, FO 1

Plus d’informations

Tiento de primero tono, FO 1
Tiento de primero tono, FO 1

Max Polijakowski.

Éditeur scientifique

Max Polijakowski

Maison d’édition

Max Polijakowski

Remarques diverses

My own transcription of the Tiento de primero tono by Arauxo from Facultad Organica, Nr. 1. Source score in Musescore format (>= 2.0.3) as well as MusicXML included.

Droits d’auteur

Tiento de primero tono, FO 1
Tiento de primero tono, FO 1

Rodrigo Vicente Manzanal Ruiz, 2026.

Éditeur scientifique

Maison d’édition

Rodrigo Vicente Manzanal Ruiz, 2026.

Remarques diverses

Although usually editions are transcribed from the original work from Correa, there are differences between my edition, that of Santiago Kaster (CSIC, Barcelona, 1948), and Max Polijakowski (ISMP 430564). For my edition I transcribed the music using historical editions "BNE R/9279", "BNE "R/14069", "KBR RISM A/I/2 C 3956", "Library of Congress MT182 .C7 LCCN 30003280", "BnF RES-335" and "Ajuda RISM A/I: C 3956". It was necessary to use so many sources as there were several places where it was very difficult to distinguish the correct notes.

Droits d’auteur