Tilge, Höchster, meine Sünden, BWV 1083
Plus d’informations
Partition
Interprétations
Conducteurs
Bärenreiter Verlag, 2000.
Éditeur scientifique
Andreas Glöckner (b. 1950)
Maison d’édition
Neue Bach-Ausgabe, Serie I, Band 41 (pp.169-237)
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Stefano Paparozzi, 2020.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2020.
Remarques diverses
This is not a scientific critical edition, it's just an engraving made for study purpose. The main sources used are the parts manuscript available on IMSLP, conserevd in Staatsbibliothek zu Berlin (Mus. ms. 30199, Faszikel 14). There are major incoherences between dynamics in parts, so that a dynamic indication doesn't appear at the same time in all parts, or the written dynamics are different. I tried to make them homogeneous and coherent, but other sources would be necessary to know Bach's real intents. The same can be said about slurs, although this aspect has fewer (and less serious) issues. A more pondered edition is currently printed by Carus Verlag.
Tilge, Höchster, meine Sünden, BWV 1083
Plus d’informations
Bärenreiter Verlag, 2000.
Éditeur scientifique
Andreas Glöckner (b. 1950)
Maison d’édition
Neue Bach-Ausgabe, Serie I, Band 41 (pp.169-237)
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Stefano Paparozzi, 2020.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2020.
Remarques diverses
This is not a scientific critical edition, it's just an engraving made for study purpose. The main sources used are the parts manuscript available on IMSLP, conserevd in Staatsbibliothek zu Berlin (Mus. ms. 30199, Faszikel 14). There are major incoherences between dynamics in parts, so that a dynamic indication doesn't appear at the same time in all parts, or the written dynamics are different. I tried to make them homogeneous and coherent, but other sources would be necessary to know Bach's real intents. The same can be said about slurs, although this aspect has fewer (and less serious) issues. A more pondered edition is currently printed by Carus Verlag.