Selections
Partition
Interprétations
Partitions et parties
Breitkopf und Härtel, n.d.[n.d.1863 ].
Maison d’édition
Ludwig van Beethovens Werke, Serie 13:
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Remarques diverses
Originally scanned at about 160pi, converted to 600dpi monochrome (file #52413).
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Droits d’auteur
C.F. Peters, No. 748, n.d.(ca.1890).
Éditeur scientifique
Friedrich Hermann (1828-1907)
Maison d’édition
Leipzig: C.F. Peters, No. 748, n.d.(ca.1890). Plate 7984.
Remarques diverses
The cello part edited by Walter Schulz (1893-1967) is still under copyright - do not post here.
Droits d’auteur
Breitkopf und Härtel, n.d.[1809].
Éditeur scientifique
First edition
Maison d’édition
Leipzig: Breitkopf und Härtel, n.d.[1809]. Plate 1328.
Droits d’auteur
J. Pleyel, n.d.(ca.1814).
Maison d’édition
Paris: J. Pleyel, n.d.(ca.1814). Plate 1065.
Remarques diverses
Piano part only; violoncello part wanting
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Droits d’auteur
Artaria & Co., n.d.(ca.1815).
Maison d’édition
Vienna: Artaria & Co., n.d.(ca.1815). Plate 2060.
Droits d’auteur
Breitkopf und Härtel, n.d.(ca.1843).
Maison d’édition
Leipzig: Breitkopf und Härtel, n.d.(ca.1843). Plate 6870.
Droits d’auteur
Sur cette page
Breitkopf und Härtel, n.d.[n.d.1863 ].
Maison d’édition
Ludwig van Beethovens Werke, Serie 13:
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Remarques diverses
Originally scanned at about 160pi, converted to 600dpi monochrome (file #52413).
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Droits d’auteur
C.F. Peters, No. 748, n.d.(ca.1890).
Éditeur scientifique
Friedrich Hermann (1828-1907)
Maison d’édition
Leipzig: C.F. Peters, No. 748, n.d.(ca.1890). Plate 7984.
Remarques diverses
The cello part edited by Walter Schulz (1893-1967) is still under copyright - do not post here.
Droits d’auteur
Breitkopf und Härtel, n.d.[1809].
Éditeur scientifique
First edition
Maison d’édition
Leipzig: Breitkopf und Härtel, n.d.[1809]. Plate 1328.
Droits d’auteur
J. Pleyel, n.d.(ca.1814).
Maison d’édition
Paris: J. Pleyel, n.d.(ca.1814). Plate 1065.
Remarques diverses
Piano part only; violoncello part wanting
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Droits d’auteur
Artaria & Co., n.d.(ca.1815).
Maison d’édition
Vienna: Artaria & Co., n.d.(ca.1815). Plate 2060.
Droits d’auteur
Breitkopf und Härtel, n.d.(ca.1843).
Maison d’édition
Leipzig: Breitkopf und Härtel, n.d.(ca.1843). Plate 6870.
Droits d’auteur
Selections
Selections
Holograph manuscript, n.d.[1808].
Maison d’édition
Holograph manuscript, n.d.[1808].
Remarques diverses
This first movement in a first version is the only surviving source in Beethoven's own hand apart from the sketches. The structure of the gathering and the musical text lead one to suppose that the manuscript was once complete and contained all the movements.
Droits d’auteur