40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Plus d’informations
Partition
Partitions
Johann André, n.d.(ca.1820).
Maison d’édition
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Remarques diverses
Final page missing (i.e. Prelude No.40, part of No.39)
Droits d’auteur
Johann André, n.d.(ca.1820).
Maison d’édition
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Remarques diverses
Final pages Nr. 39+40
Droits d’auteur
P.J. Tonger, n.d.
Éditeur scientifique
Heinrich Bungart (1864–1910)
Maison d’édition
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Remarques diverses
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Droits d’auteur
40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Plus d’informations
Johann André, n.d.(ca.1820).
Maison d’édition
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Remarques diverses
Final page missing (i.e. Prelude No.40, part of No.39)
Droits d’auteur
Johann André, n.d.(ca.1820).
Maison d’édition
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Remarques diverses
Final pages Nr. 39+40
Droits d’auteur
P.J. Tonger, n.d.
Éditeur scientifique
Heinrich Bungart (1864–1910)
Maison d’édition
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Remarques diverses
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Droits d’auteur