Partition
Interprétations
Partitions
l'auteur, Foucault, 1710.
Maison d’édition
Paris: l'auteur, Foucault, 1710.
Droits d’auteur
The author/Boivin, 1710?.
Maison d’édition
Paris: The author/Boivin, 1710?.
Remarques diverses
A re-issue using the same plates - and date! -- Coissue perhaps, naturally?- Schissel
Droits d’auteur
Carl Dettman.
Éditeur scientifique
Maison d’édition
Carl Dettman
Remarques diverses
specified by composer as suitable for transverse flute
Stefano Paparozzi, 2024.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2024.
Remarques diverses
This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the score available on IMSLP (1710). The souce is perfectly readable and generally very coherent, so that no relevant adjustment has been made. The small vertical dash appearing with some slurs (obiquitous in every Sonatas) has been retained, but currently this symbol – most likely some form of ornament – hasn't any valid explanation. For clarity, the original Violin part notated in French treble clef has been transposed in modern treble clef.
l'auteur, Foucault, 1710.
Maison d’édition
Paris: l'auteur, Foucault, 1710.
Droits d’auteur
The author/Boivin, 1710?.
Maison d’édition
Paris: The author/Boivin, 1710?.
Remarques diverses
A re-issue using the same plates - and date! -- Coissue perhaps, naturally?- Schissel
Droits d’auteur
Carl Dettman.
Éditeur scientifique
Maison d’édition
Carl Dettman
Remarques diverses
specified by composer as suitable for transverse flute
Stefano Paparozzi, 2024.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2024.
Remarques diverses
This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the score available on IMSLP (1710). The souce is perfectly readable and generally very coherent, so that no relevant adjustment has been made. The small vertical dash appearing with some slurs (obiquitous in every Sonatas) has been retained, but currently this symbol – most likely some form of ornament – hasn't any valid explanation. For clarity, the original Violin part notated in French treble clef has been transposed in modern treble clef.