Méthode de violoncelle, Op.4
26 primary to intermediate studies (17 of them for 2 cellos or cello and unfigured continuo)
18 advanced studies (with thumb position) for 2 cellos/cello & continuo (unfigured)
37 Variations, from Tartini's L'art de l'archet, for cello & continuo (unfigured)
5 other airs with variations, for cello & continuo (unfigured)
18 advanced studies (with thumb position) for 2 cellos/cello & continuo (unfigured)
37 Variations, from Tartini's L'art de l'archet, for cello & continuo (unfigured)
5 other airs with variations, for cello & continuo (unfigured)
Plus d’informations
Partition
Partitions
Pleyel, n.d. [ca.1797], Plate 477.
Maison d’édition
Paris: Pleyel, n.d. [ca.1797], Plate 477.
Remarques diverses
Frontispiece information: Méthode de violoncelle contenant une nouvelle exposition des principes de cet instrument, ceux de l'etude de la double corde, l'art de conduire l'archet, et des leçons d'une difficulté progressive.
Droits d’auteur
Méthode de violoncelle, Op.4
26 primary to intermediate studies (17 of them for 2 cellos or cello and unfigured continuo)
18 advanced studies (with thumb position) for 2 cellos/cello & continuo (unfigured)
37 Variations, from Tartini's L'art de l'archet, for cello & continuo (unfigured)
5 other airs with variations, for cello & continuo (unfigured)
18 advanced studies (with thumb position) for 2 cellos/cello & continuo (unfigured)
37 Variations, from Tartini's L'art de l'archet, for cello & continuo (unfigured)
5 other airs with variations, for cello & continuo (unfigured)
Plus d’informations
Pleyel, n.d. [ca.1797], Plate 477.
Maison d’édition
Paris: Pleyel, n.d. [ca.1797], Plate 477.
Remarques diverses
Frontispiece information: Méthode de violoncelle contenant une nouvelle exposition des principes de cet instrument, ceux de l'etude de la double corde, l'art de conduire l'archet, et des leçons d'une difficulté progressive.
Droits d’auteur