Partition
Interprétations
Partitions
Manuscript, n.d.
Maison d’édition
Manuscript, n.d.
Remarques diverses
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Droits d’auteur
Schlesinger, n.d.[1836].
Éditeur scientifique
Pierre Baillot (1771–1842)
Maison d’édition
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Remarques diverses
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Droits d’auteur
Manuscript, n.d.
Maison d’édition
Manuscript, n.d.
Remarques diverses
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Droits d’auteur
Schlesinger, n.d.[1836].
Éditeur scientifique
Pierre Baillot (1771–1842)
Maison d’édition
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Remarques diverses
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Droits d’auteur