Partition
Interprétations
Conducteurs
Manuscript, n.d.(ca.1717-18).
Maison d’édition
Manuscript, n.d.(ca.1717-18).
Remarques diverses
Droits d’auteur
Kingfisher.
Éditeur scientifique
Kingfisher
Maison d’édition
Kingfisher
Remarques diverses
Rearrangement after the condensed score published in: Arnold Schering: Musikgeschichte in Beispielen (Riemann, Hugo), No. 270 (after a manuscript score in SLUB Dresden). - Sallustia was one of the earliest roles of Faustina Bordoni.
(Pub. date for Schering sometime between 1912 and 1931 or later, with copyright date on score (acc. to Worldcat.) May take some figuring. - Schissel
(Pub. date for Schering sometime between 1912 and 1931 or later, with copyright date on score (acc. to Worldcat.) May take some figuring. - Schissel
Manuscript, n.d.(ca.1717-18).
Maison d’édition
Manuscript, n.d.(ca.1717-18).
Remarques diverses
Droits d’auteur
Kingfisher.
Éditeur scientifique
Kingfisher
Maison d’édition
Kingfisher
Remarques diverses
Rearrangement after the condensed score published in: Arnold Schering: Musikgeschichte in Beispielen (Riemann, Hugo), No. 270 (after a manuscript score in SLUB Dresden). - Sallustia was one of the earliest roles of Faustina Bordoni.
(Pub. date for Schering sometime between 1912 and 1931 or later, with copyright date on score (acc. to Worldcat.) May take some figuring. - Schissel
(Pub. date for Schering sometime between 1912 and 1931 or later, with copyright date on score (acc. to Worldcat.) May take some figuring. - Schissel