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Giacomelli, Geminiano

Giacomelli, Geminiano

Merope

•

3 acts

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Interprétations

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Merope
Merope

Public Domain

Manuscript, n.d.

Maison d’édition

Manuscript, n.d.

Droits d’auteur

Sinfonia in G major

Manuscript, n.d.(ca.1734-99).

Maison d’édition

Manuscript, n.d.(ca.1734-99).

Remarques diverses

Österreichische Nationalbibliothek (A-Wn Mus.Hs.19111 Nr.1).

Droits d’auteur

Aria: Quell'usignolo che innamorato

15 Vocal Pieces (pp.31-38).

Copiste

Anonymous D-B 1

Maison d’édition

15 Vocal Pieces (pp.31-38)
Manuscript, n.d.(ca.1745-55).

Remarques diverses

Staatsbibliothek zu Berlin (D-B) : Mus.ms.autogr. Agricola, J.F. 1 (5)

Droits d’auteur

Aria: Quell'usignolo che innamorato

Merope
Merope

Kingfisher.

Éditeur scientifique

Kingfisher

Maison d’édition

Kingfisher

Remarques diverses

Source: Copyist score in the Bibliothèque du Conservatoire Royal de Musique, Bruxelles. - Facsimile Reprint: Ricordi, Milano 1984. - This is the original version of the aria as written by Giacomelli and performed in the Venetian carnival season in 1734. Farinelli, for whom the role of Epitide was tailored, later published a revised an even more extended version with some harmonic changes and an entirely new-composed B section.

Droits d’auteur

Aria: Quell'usignolo

Manuscript, n.d.(ca.1734).

Maison d’édition

Manuscript, n.d.(ca.1734).

Remarques diverses

Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-F-82,14-5
This file is based on high-resolution images obtained from the source using a method explained on this page.

Droits d’auteur

Recit. - Aria: Là sul torbido Acheronte (Act III, sc.11)

Merope
Merope

Kingfisher.

Éditeur scientifique

Kingfisher

Maison d’édition

Kingfisher

Remarques diverses

Transcription after a contemporary manuscript (Bibliothèque du Conservatoire Royal de Musique Bruxelles), published in facsimile by G. Ricordi (Drammaturgia musicale veneta 18, Milano 1984). - Antonio Vivaldi used this aria in his opera "Bajazet", with some changes to the text ("Sposa son disprezzata") as well as to the music itself - most significant the omission of measures 70-78 at the end of the A section. For comparison with Vivaldi's adaptation, please see the work page for Bajazet, RV 703 (Vivaldi, Antonio).

Droits d’auteur

Aria: Sposa, non mi conosci

Sur cette page

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Selections


Manuscript, n.d.

Maison d’édition

Manuscript, n.d.

Droits d’auteur

Selections


Manuscript, n.d.(ca.1734-99).

Maison d’édition

Manuscript, n.d.(ca.1734-99).

Remarques diverses

Österreichische Nationalbibliothek (A-Wn Mus.Hs.19111 Nr.1).

Droits d’auteur

Selections


15 Vocal Pieces (pp.31-38).

Copiste

Anonymous D-B 1

Maison d’édition

15 Vocal Pieces (pp.31-38)
Manuscript, n.d.(ca.1745-55).

Remarques diverses

Staatsbibliothek zu Berlin (D-B) : Mus.ms.autogr. Agricola, J.F. 1 (5)

Droits d’auteur

Selections


Merope
Merope

Kingfisher.

Éditeur scientifique

Kingfisher

Maison d’édition

Kingfisher

Remarques diverses

Source: Copyist score in the Bibliothèque du Conservatoire Royal de Musique, Bruxelles. - Facsimile Reprint: Ricordi, Milano 1984. - This is the original version of the aria as written by Giacomelli and performed in the Venetian carnival season in 1734. Farinelli, for whom the role of Epitide was tailored, later published a revised an even more extended version with some harmonic changes and an entirely new-composed B section.

Droits d’auteur

Selections


Manuscript, n.d.(ca.1734).

Maison d’édition

Manuscript, n.d.(ca.1734).

Remarques diverses

Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-F-82,14-5
This file is based on high-resolution images obtained from the source using a method explained on this page.

Droits d’auteur

Selections


Merope
Merope

Kingfisher.

Éditeur scientifique

Kingfisher

Maison d’édition

Kingfisher

Remarques diverses

Transcription after a contemporary manuscript (Bibliothèque du Conservatoire Royal de Musique Bruxelles), published in facsimile by G. Ricordi (Drammaturgia musicale veneta 18, Milano 1984). - Antonio Vivaldi used this aria in his opera "Bajazet", with some changes to the text ("Sposa son disprezzata") as well as to the music itself - most significant the omission of measures 70-78 at the end of the A section. For comparison with Vivaldi's adaptation, please see the work page for Bajazet, RV 703 (Vivaldi, Antonio).

Droits d’auteur

Selections


Merope
Merope

Music Edition Baroque Opera, 2022.

Éditeur scientifique

Dragan Karolic (b. 1960)

Maison d’édition

Remarques diverses

With ornaments by Farinelli. For parts visit baroque-opera.com.

Droits d’auteur