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Beyer, Ferdinand

Beyer, Ferdinand

6 Morceaux gracieux, Op.110

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6 pieces

Plus d’informations

Partition

Partitions

6 Morceaux gracieux, Op.110
6 Morceaux gracieux, Op.110

Public Domain

B. Schott’s Söhne, n.d.1851 .

Éditeur scientifique

First edition

Maison d’édition

Mainz: B. Schott’s Söhne, n.d.1851 . Plate 10910.1–5.

Remarques diverses

Cleaned and improved

Droits d’auteur

1. Gottes Rath by Mendelssohn

2. Hoch vom Dachstein an - Steyerisches Lied

3. Agathe von Franz Abt

4. Der Zigeunerbube im Norden von C. G. Reissiger

5. Die Fahnenwacht by Lindpaintner

William Hall & Son, n.d.(ca.1851).

Maison d’édition

New York: William Hall & Son, n.d.(ca.1851). Plate 940.

Remarques diverses

Cleaned and improved. William Hall scores of this period usually have copyrights on the title page and the first page of score; this score shows signs of being cropped/having that area covered by other material, so quite possibly had copyright on the score itself before being scanned. ("n.d." only applies strictly when there's reason to believe the original score itself, not just the scan, lacks copyright data; here it's probably only the scan, based on similar scores from that time and publisher and the very modern, computer-overwritten page numbering of subsequent pages.)

Droits d’auteur

6. O, wert thou but mine own love by F. Kücken

6 Morceaux gracieux, Op.110

6 pieces

Plus d’informations

B. Schott’s Söhne, n.d.1851 .

Éditeur scientifique

First edition

Maison d’édition

Mainz: B. Schott’s Söhne, n.d.1851 . Plate 10910.1–5.

Remarques diverses

Cleaned and improved

Droits d’auteur

William Hall & Son, n.d.(ca.1851).

Maison d’édition

New York: William Hall & Son, n.d.(ca.1851). Plate 940.

Remarques diverses

Cleaned and improved. William Hall scores of this period usually have copyrights on the title page and the first page of score; this score shows signs of being cropped/having that area covered by other material, so quite possibly had copyright on the score itself before being scanned. ("n.d." only applies strictly when there's reason to believe the original score itself, not just the scan, lacks copyright data; here it's probably only the scan, based on similar scores from that time and publisher and the very modern, computer-overwritten page numbering of subsequent pages.)

Droits d’auteur