Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Partition
Interprétations
Partitions
Bärenreiter Verlag, 1970.
Éditeur scientifique
Georg von Dadelsen (1918–2007)
Maison d’édition
Neue Bach-Ausgabe, Serie V, Band 3 (pp.1-33)
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Könemann Music, 1994.
Éditeur scientifique
Tamás Zászkaliczky (b. 1943)
Maison d’édition
Budapest: Könemann Music, 1994. Plate K 110.
Remarques diverses
600 dpi. Page size A4 (210 × 297mm).
Droits d’auteur
Manuscript, 1720.
Copiste
Wilhelm Friedemann Bach (1710–1784)
Unidentified
Anon. K 7
Unidentified
Anon. K 7
Maison d’édition
Manuscript, 1720.
Holograph manuscript, 1720.
Holograph manuscript, 1720.
Remarques diverses
Beinecke Library, Yale University (US-NHub) : Music Deposit 31
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Droits d’auteur
Holograph manuscript, n.d.(ca.1720-23).
Maison d’édition
Holograph manuscript, n.d.(ca.1720-23).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 610
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Droits d’auteur
Manuscript, n.d.(ca.1724).
Copiste
Bernhard Christian Kayser (1705–1758)
Maison d’édition
Manuscript, n.d.(ca.1724).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 219
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
Droits d’auteur
Manuscript, n.d.(ca.1725).
Copiste
Johann Peter Kellner (1705–1772)
Maison d’édition
Manuscript, n.d.(ca.1725).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 804 (41)
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Droits d’auteur
Sur cette page
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Terminé
Complete
Complete
Bärenreiter Verlag, 1970.
Éditeur scientifique
Georg von Dadelsen (1918–2007)
Maison d’édition
Neue Bach-Ausgabe, Serie V, Band 3 (pp.1-33)
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Complete
Complete
Könemann Music, 1994.
Éditeur scientifique
Tamás Zászkaliczky (b. 1943)
Maison d’édition
Budapest: Könemann Music, 1994. Plate K 110.
Remarques diverses
600 dpi. Page size A4 (210 × 297mm).
Droits d’auteur
Complete
Complete
Manuscript, 1720.
Copiste
Wilhelm Friedemann Bach (1710–1784)
Unidentified
Anon. K 7
Unidentified
Anon. K 7
Maison d’édition
Manuscript, 1720.
Holograph manuscript, 1720.
Holograph manuscript, 1720.
Remarques diverses
Beinecke Library, Yale University (US-NHub) : Music Deposit 31
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Droits d’auteur
Complete
Complete
Holograph manuscript, n.d.(ca.1720-23).
Maison d’édition
Holograph manuscript, n.d.(ca.1720-23).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 610
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Droits d’auteur
Complete
Complete
Manuscript, n.d.(ca.1724).
Copiste
Bernhard Christian Kayser (1705–1758)
Maison d’édition
Manuscript, n.d.(ca.1724).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 219
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
Droits d’auteur
Complete
Complete
Manuscript, n.d.(ca.1725).
Copiste
Johann Peter Kellner (1705–1772)
Maison d’édition
Manuscript, n.d.(ca.1725).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 804 (41)
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Droits d’auteur
Complete
Complete
Manuscript, n.d.(ca.1745-55).
Copiste
Maison d’édition
Manuscript, n.d.(ca.1745-55).
Remarques diverses
Toulouse Municipal Library (F-TLm): Res. Mus. B 561
#454111: Extracted from manuscript #62840 (see Inventions and Sinfonias). Introduction in German with Clavierbüchlein text, Johann Sebastian and Wilhelm Friedmann Bach autographs. Copyist's name on f.17 front Conforms to first manuscript in BWV. Dating: Musikforschunginstitut Berlin
#454111: Extracted from manuscript #62840 (see Inventions and Sinfonias). Introduction in German with Clavierbüchlein text, Johann Sebastian and Wilhelm Friedmann Bach autographs. Copyist's name on f.17 front Conforms to first manuscript in BWV. Dating: Musikforschunginstitut Berlin
Droits d’auteur
Complete
Complete
Manuscript, n.d.(ca.1760-80).
Copiste
Johann Christian Bach @pianist^ (1743–1814)
Anon. J. S. Bach XXVI
Anon. J. S. Bach XXVI
Maison d’édition
Manuscript, n.d.(ca.1760-80).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Am.B 478
Extracted from manuscript #866398 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #866398 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Droits d’auteur
Complete
Complete
Manuscript, n.d.(ca.1790).
Copiste
Peter Grönland (1761–1825)
Maison d’édition
Manuscript, n.d.(ca.1790).
Remarques diverses
Det Kgl. Bibliotek, Copenhagen (DK-Kk) : DK-Kk, mu 9210.2682
Droits d’auteur
Complete
Complete
C.F. Peters, n.d.(ca.1840).
Éditeur scientifique
Carl Czerny (1791–1857)
Maison d’édition
Compositions pour le Pianoforte, Livre 7 (pp.12-28)
Leipzig: C.F. Peters, n.d.(ca.1840). Plate 2748.
Leipzig: C.F. Peters, n.d.(ca.1840). Plate 2748.
Remarques diverses
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Droits d’auteur
Complete
Complete
Breitkopf und Härtel, 1853.
Éditeur scientifique
Carl Ferdinand Becker (1804–1877)
Maison d’édition
Bach-Gesellschaft Ausgabe, Band 3 (pp.1-18)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Remarques diverses
scan: score scanned at 600dpi (High Quality Scanning)
Droits d’auteur
Complete
Complete
C.F. Peters, No. 201, n.d.(ca.1890).
Éditeur scientifique
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Maison d’édition
Klavierwerke von Joh. Seb. Bach
Leipzig: C.F. Peters, No. 201, n.d.(ca.1890). Plate 8275.
Leipzig: C.F. Peters, No. 201, n.d.(ca.1890). Plate 8275.
Droits d’auteur
Complete
Complete
Breitkopf und Härtel, n.d.
Éditeur scientifique
Carl Reinecke (1824–1910)
Maison d’édition
Leipzig: Breitkopf und Härtel, n.d. Plate 11328.
Droits d’auteur
Complete
Complete
Breitkopf und Härtel, 1891/1914.
Éditeur scientifique
Ferruccio Busoni (1866–1924)
Maison d’édition
Leipzig: Breitkopf und Härtel, 1891/1914. Plate E.B. 3127.
Réimpression
Moscow: Muzyka, n.d. (#22077)
Remarques diverses
Instruktive Ausgabe (#22076)
Russian translation (#22077)
Russian translation (#22077)
Droits d’auteur
Complete
Complete
Breitkopf und Härtel, 1892/1917.
Éditeur scientifique
Ferruccio Busoni (1866–1924)
Traducteur
Louis Charles Elson (1848–1920), English text
Maison d’édition
Leipzig: Breitkopf und Härtel, 1892/1917. Plate E.B. 3127.
Réimpression
New York: Associated Music Publishers, n.d.
Droits d’auteur
Complete
Complete
B.F. Wood, No. 126, n.d.(1899-1900).
Éditeur scientifique
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Maison d’édition
Boston: B.F. Wood, No. 126, n.d.(1899-1900). Plate B.F.W. 1009-31.
Remarques diverses
Invention 8 missing and replaced by Bach-Gesellschaft edition.
Droits d’auteur
Complete
Complete
Ricordi, n.d.
Éditeur scientifique
Bruno Mugellini (1871–1912)
Maison d’édition
Milan: Ricordi, n.d. Plate E.R. 2266a.
Réimpression
Milan: Ricordi, 1983.
Droits d’auteur
Complete
Complete
Carl Fischer, 1903.
Éditeur scientifique
Carl Czerny (1791–1857)
Maison d’édition
New York: Carl Fischer, 1903. Plate 7158-62.
Droits d’auteur
Complete
Complete
Oliver Ditson Co., No. 231, 1907.
Éditeur scientifique
Ebenezer Prout (1835–1909)
Maison d’édition
Boston: Oliver Ditson Co., No. 231, 1907.
Remarques diverses
This file is part of the Sibley Mirroring Project.
Contains prefaces by Prout and Percy Goetschius (1853-1943).
Contains prefaces by Prout and Percy Goetschius (1853-1943).
Droits d’auteur
Complete
Complete
Allan & Co., n.d.[1912].
Éditeur scientifique
Franklin Peterson (1861–1914)
T. Matthew Ennis
T. Matthew Ennis
Maison d’édition
Melbourne: Allan & Co., n.d.[1912]. Plate A. & Co. 975.
Droits d’auteur
Complete
Complete
Boston Music Co., 1912.
Éditeur scientifique
Bernhardus Boekelman (1838–1930)
Maison d’édition
Boston: Boston Music Co., 1912.
Remarques diverses
Analysed for self-instruction in polychromatic notation
Droits d’auteur
Complete
Complete
Curci, 1946.
Éditeur scientifique
Alfredo Casella (1883–1947)
Maison d’édition
Milan: Curci, 1946. Plate E. 4688 C.
Droits d’auteur
Complete
Complete
Ricordi, 1951.
Éditeur scientifique
Bruno Mugellini (1871–1912)
Maison d’édition
Milan: Ricordi, 1951. Plate E. R. 2364.
Remarques diverses
Reprints of 1970, 1999. Ricordi's 1951 claim is fraudulent as they merely excerpted the music from Mugellini's extensively annotation edition (see above) issued around 1900. The 1951 claim was never renewed in the USA in any case.
Droits d’auteur
Complete
Complete
Bärenreiter Verlag, 1962.
Éditeur scientifique
Wolfgang Plath (1930–1995)
Maison d’édition
Neue Bach-Ausgabe, Serie V, Band 5 (pp.48-77)
Kassel: Bärenreiter Verlag, 1962. Plate BA 5021.
Kassel: Bärenreiter Verlag, 1962. Plate BA 5021.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches. Part of the Klavierbüchlein für Wilhelm Friedemann Bach (Nos.32-46).
Droits d’auteur
Complete
Complete
ND Music Edition, No.002, 2010.
Éditeur scientifique
Maison d’édition
ND Music Edition, No.002, 2010.
Remarques diverses
Urtext edition from the autograph manuscript. Typeset in LilyPond 2.12.3.
Complete
Complete
Creative Commons Attribution Non-commercial Share Alike 3.0
Luigi Cataldi.
Éditeur scientifique
Maison d’édition
Luigi Cataldi
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Droits d’auteur
Creative Commons Attribution Non-commercial Share Alike 3.0
Complete
Complete
Ritter von Schleyer Verlag.
Éditeur scientifique
Maison d’édition
Ritter von Schleyer Verlag
Remarques diverses
Includes fingerings.
Complete
Complete
Contrapunctus Press, 2021.
Éditeur scientifique
Maison d’édition
London, Canada: Contrapunctus Press, 2021.
Remarques diverses
This score is a scholarly edition based upon original sources and is presented without fingering or editorial additions.
Complete
Complete
Viktor Keil.
Complete
Complete
Knute Snortum, 2023.
Éditeur scientifique
Knute Snortum (b. 1960)
Maison d’édition
Knute Snortum, 2023.
Remarques diverses
LilyPond source files included
Selections
Selections
Selections
Selections
Manuscript, n.d.(ca.1735).
Copiste
Friedrich Christian Samuel Mohrheim (1719–1780)
Maison d’édition
Manuscript, n.d.(ca.1735).
Remarques diverses
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 222 (2)
Extracted from manuscript #865952 (see Inventions and Sinfonias).
Extracted from manuscript #865952 (see Inventions and Sinfonias).
Droits d’auteur
Selections
Selections
Les Éditions Outremontaises, 2009.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2009
Remarques diverses
These file(s) are part of the Werner Icking Music Collection. - Urtext
Selections
Selections
Manuscript, 1976.
Copiste
Takashi Maeno
Maison d’édition
Manuscript, 1976.
Remarques diverses
Carlo Vidusso handwrote the original score with fingerings in 1976. Later, his last pupil, Takashi Maeno, compiled the score and converted it into a PDF using the notation software Finale.
Droits d’auteur