Partition
Interprétations
Partitions
Autograph Manuscript, n.d.(ca.1735-45).
Maison d’édition
Autograph Manuscript, n.d.(ca.1735-45)
Remarques diverses
Schrank II coll.
Scan of Mus.2423-O-18, SLUB Dresden. See RISM [1].
The Hautbois de silve are notated in E♭ major, suggesting downward transposition of a minor sixth. Haynes[2] suggests that the oboe de silve may be oboe da caccia instruments pitched a semitone lower than usual. The original instrumentation chalcedon 1-2 has been changed by Fasch to bassono 1-2
Scan of Mus.2423-O-18, SLUB Dresden. See RISM [1].
The Hautbois de silve are notated in E♭ major, suggesting downward transposition of a minor sixth. Haynes[2] suggests that the oboe de silve may be oboe da caccia instruments pitched a semitone lower than usual. The original instrumentation chalcedon 1-2 has been changed by Fasch to bassono 1-2
Droits d’auteur
Bernard Meylan, 2020.
Autograph Manuscript, n.d.(ca.1735-45).
Maison d’édition
Autograph Manuscript, n.d.(ca.1735-45)
Remarques diverses
Schrank II coll.
Scan of Mus.2423-O-18, SLUB Dresden. See RISM [1].
The Hautbois de silve are notated in E♭ major, suggesting downward transposition of a minor sixth. Haynes[2] suggests that the oboe de silve may be oboe da caccia instruments pitched a semitone lower than usual. The original instrumentation chalcedon 1-2 has been changed by Fasch to bassono 1-2
Scan of Mus.2423-O-18, SLUB Dresden. See RISM [1].
The Hautbois de silve are notated in E♭ major, suggesting downward transposition of a minor sixth. Haynes[2] suggests that the oboe de silve may be oboe da caccia instruments pitched a semitone lower than usual. The original instrumentation chalcedon 1-2 has been changed by Fasch to bassono 1-2
Droits d’auteur
Bernard Meylan, 2020.