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Saint-Georges, Joseph Bologne

Saint-Georges, Joseph Bologne

2 Symphonies, Op.11

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2 symphonies

Plus d’informations

Partition

Interprétations

Partitions et parties

Complete


2 Symphonies, Op.11
2 Symphonies, Op.11

Public Domain

De la Chevardiere, n.d.[1779].

Maison d’édition

Paris: De la Chevardiere, n.d.[1779].

Droits d’auteur

Complete Parts

2 Symphonies, Op.11
2 Symphonies, Op.11

Stefano Paparozzi, 2020.

Éditeur scientifique

Maison d’édition

Stefano Paparozzi, 2020.

Remarques diverses

This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the parts manuscript available on IMSLP, from the publisher De la Chevardiere, Paris, 1779. For the Second Symphony, it's also been used the manuscript (reprinted by Pendragon Press of Hillsdale, NY, in 1984) of the opera L'Amant anonime, which Overture is exactly the whole symphony. In spite of this cross reference, the Second is the most problematic symphony. In the First, in G major, there are just minor inconsistencies in dynamic and phrasing, uniformed in this edition, and some triplets in second movement not written out as triplets, but implied by beamings and rests. In the D major Symphony there are more incoherences: for example, the whole second movement has conflicting slurs; but especially mm. 121-128 on viola part in first movement are clearly all wrong, showing an E over a D major chord and then all parallel fifths with bass (even in the Pendragon full score edition). For that excerpt, there wasn't any way to infer the composer's original intentions without just freely rewriting the part, therefore it's been preferred to leave those measures as they were.

Droits d’auteur

Complete Score

Symphony No.1 in G major


2 Symphonies, Op.11
2 Symphonies, Op.11

Public Domain (dedicated)

Robertfranz, 2021.

Éditeur scientifique

Maison d’édition

Robertfranz, 2021.

Droits d’auteur

Public Domain (dedicated)

Complete Score

Oboes 1 & 2

Horns 1 & 2

Violin 1

Violin 2

Viola

Cello/Bass

1-5 /7

Symphony No.2 in D major


2 Symphonies, Op.11
2 Symphonies, Op.11

Creative Commons Attribution Non-commercial Share Alike 3.0

Ronan Bellec.

Éditeur scientifique

Maison d’édition

Ronan Bellec

Remarques diverses

These file(s) are part of the Werner Icking Music Collection.

Droits d’auteur

Creative Commons Attribution Non-commercial Share Alike 3.0

I. Allegro Presto

II. Andante

III. Presto

2 Symphonies, Op.11
2 Symphonies, Op.11

Creative Commons Attribution Non-commercial Share Alike 3.0

Ronan Bellec.

Éditeur scientifique

Maison d’édition

Ronan Bellec

Remarques diverses

These file(s) are part of the Werner Icking Music Collection.

Droits d’auteur

Creative Commons Attribution Non-commercial Share Alike 3.0

Oboe 1/2

Horn 1/2 (F)

Violins I

Violins II

Violas

Cellos and Basses

Violas - corrected first page

1-5 /7

Sur cette page

2 Symphonies, Op.11

2 symphonies

Plus d’informations

Terminé

Complete


De la Chevardiere, n.d.[1779].

Maison d’édition

Paris: De la Chevardiere, n.d.[1779].

Droits d’auteur

Complete


2 Symphonies, Op.11
2 Symphonies, Op.11

Stefano Paparozzi, 2020.

Éditeur scientifique

Maison d’édition

Stefano Paparozzi, 2020.

Remarques diverses

This is not a scientific critical edition, it's just an engraving made for study purpose. The main source used is the parts manuscript available on IMSLP, from the publisher De la Chevardiere, Paris, 1779. For the Second Symphony, it's also been used the manuscript (reprinted by Pendragon Press of Hillsdale, NY, in 1984) of the opera L'Amant anonime, which Overture is exactly the whole symphony. In spite of this cross reference, the Second is the most problematic symphony. In the First, in G major, there are just minor inconsistencies in dynamic and phrasing, uniformed in this edition, and some triplets in second movement not written out as triplets, but implied by beamings and rests. In the D major Symphony there are more incoherences: for example, the whole second movement has conflicting slurs; but especially mm. 121-128 on viola part in first movement are clearly all wrong, showing an E over a D major chord and then all parallel fifths with bass (even in the Pendragon full score edition). For that excerpt, there wasn't any way to infer the composer's original intentions without just freely rewriting the part, therefore it's been preferred to leave those measures as they were.

Droits d’auteur

Symphony No.1 in G major

Symphony No.1 in G major


2 Symphonies, Op.11
2 Symphonies, Op.11

Public Domain (dedicated)

Robertfranz, 2021.

Éditeur scientifique

Maison d’édition

Robertfranz, 2021.

Droits d’auteur

Public Domain (dedicated)

Symphony No.2 in D major

Symphony No.2 in D major


2 Symphonies, Op.11
2 Symphonies, Op.11

Creative Commons Attribution Non-commercial Share Alike 3.0

Ronan Bellec.

Éditeur scientifique

Maison d’édition

Ronan Bellec

Remarques diverses

These file(s) are part of the Werner Icking Music Collection.

Droits d’auteur

Creative Commons Attribution Non-commercial Share Alike 3.0

Symphony No.2 in D major


2 Symphonies, Op.11
2 Symphonies, Op.11

Creative Commons Attribution Non-commercial Share Alike 3.0

Ronan Bellec.

Éditeur scientifique

Maison d’édition

Ronan Bellec

Remarques diverses

These file(s) are part of the Werner Icking Music Collection.

Droits d’auteur

Creative Commons Attribution Non-commercial Share Alike 3.0