Entrée pontificale (No.1)
Partition
Interprétations
Partitions
J. Rieter-Biedermann, 1895.
Éditeur scientifique
First edition
Graveur
Leipzig: C.G. Röder.
Maison d’édition
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Remarques diverses
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Droits d’auteur
Unidentified Publisher, n.d.
Maison d’édition
Unidentified Publisher, n.d.
Remarques diverses
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Droits d’auteur
Les Éditions Outremontaises, 2010.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2010
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Sur cette page
J. Rieter-Biedermann, 1895.
Éditeur scientifique
First edition
Graveur
Leipzig: C.G. Röder.
Maison d’édition
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Remarques diverses
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Droits d’auteur
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Unidentified Publisher, n.d.
Maison d’édition
Unidentified Publisher, n.d.
Remarques diverses
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Droits d’auteur
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Les Éditions Outremontaises, 2010.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2010
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.