Preludio (No.1)
Violin Partita No.3 in E major, BWV 1006
Plus d’informations
Partition
Interprétations
Partitions
Bärenreiter Verlag, 1958.
Éditeur scientifique
Günter Haußwald (1908–1974)
Maison d’édition
Neue Bach-Ausgabe, Serie VI, Band 1 (pp.54-62)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Breitkopf und Härtel, 1879.
Éditeur scientifique
Alfred Dörffel (1821–1905)
Maison d’édition
Bach-Gesellschaft Ausgabe, Band 27 (pp.48-56)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Remarques diverses
Because it was not available for consultation at the time, Dörffel did not use Bach's autograph manuscript as a source for this edition. The BGA therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).
Droits d’auteur
Carl Fischer, 1917.
Éditeur scientifique
Leopold Auer (1845–1930)
Maison d’édition
6 Sonatas for Unaccompanied Violin, No.6
New York: Carl Fischer, 1917. Plate 19544-43.
New York: Carl Fischer, 1917. Plate 19544-43.
Droits d’auteur
Edition Peters, No. 4308, 1931.
Éditeur scientifique
Carl Flesch (1873–1944)
Maison d’édition
Leipzig: Edition Peters, No. 4308, 1931. Plate 10784.
Droits d’auteur
Edition Peters, 1931.
Éditeur scientifique
Carl Flesch (1873–1944)
Maison d’édition
Leipzig: Edition Peters, 1931. Plate 10837c.
Droits d’auteur
Serge Blanc.
Éditeur scientifique
Maison d’édition
Serge Blanc
Remarques diverses
This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.
Sur cette page
Violin Partita No.3 in E major, BWV 1006
Plus d’informations
Bärenreiter Verlag, 1958.
Éditeur scientifique
Günter Haußwald (1908–1974)
Maison d’édition
Neue Bach-Ausgabe, Serie VI, Band 1 (pp.54-62)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.
Remarques diverses
600 dpi. Page size is 10.00 x 12.688 inches.
Droits d’auteur
Breitkopf und Härtel, 1879.
Éditeur scientifique
Alfred Dörffel (1821–1905)
Maison d’édition
Bach-Gesellschaft Ausgabe, Band 27 (pp.48-56)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Remarques diverses
Because it was not available for consultation at the time, Dörffel did not use Bach's autograph manuscript as a source for this edition. The BGA therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).
Droits d’auteur
Carl Fischer, 1917.
Éditeur scientifique
Leopold Auer (1845–1930)
Maison d’édition
6 Sonatas for Unaccompanied Violin, No.6
New York: Carl Fischer, 1917. Plate 19544-43.
New York: Carl Fischer, 1917. Plate 19544-43.
Droits d’auteur
Edition Peters, No. 4308, 1931.
Éditeur scientifique
Carl Flesch (1873–1944)
Maison d’édition
Leipzig: Edition Peters, No. 4308, 1931. Plate 10784.
Droits d’auteur
Edition Peters, 1931.
Éditeur scientifique
Carl Flesch (1873–1944)
Maison d’édition
Leipzig: Edition Peters, 1931. Plate 10837c.
Droits d’auteur
Serge Blanc.
Éditeur scientifique
Maison d’édition
Serge Blanc
Remarques diverses
This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.
Preludio (No.1)
Preludio (No.1)
RSB.