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Bach, Johann Sebastian

Bach, Johann Sebastian

Violin Partita No.1 in B minor, BWV 1002

1720

•

8 movements

Plus d’informations

Partition

Interprétations

Partitions

Violin Partita No.1 in B minor, BWV 1002

Sélection du bibliothécaire

Violin Partita No.1 in B minor, BWV 1002

Sélection du bibliothécaire

Public Domain

Bärenreiter Verlag, 1958.

Éditeur scientifique

Günter Haußwald (1908–1974)

Maison d’édition

Neue Bach-Ausgabe, Serie VI, Band 1 (pp.10-19)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.

Remarques diverses

600 dpi. Page size is 10.00 x 12.688 inches.

Droits d’auteur

Complete Score

Breitkopf und Härtel, 1879.

Éditeur scientifique

Alfred Dörffel (1821–1905)

Maison d’édition

Bach-Gesellschaft Ausgabe, Band 27 (pp.10-18)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).

Remarques diverses

Because it was not available for consultation at the time, the editor of this score did not use Bach's autograph manuscript as a source for the Bach-Gesellschaft edition. The BG edition therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).

Droits d’auteur

Complete Score

Carl Fischer, 1917.

Éditeur scientifique

Leopold Auer (1845–1930)

Maison d’édition

6 Sonatas for Unaccompanied Violin, No.2
New York: Carl Fischer, 1917. Plate 19544-43.

Droits d’auteur

Complete Score

Edition Peters, No. 4309b, 1930.

Éditeur scientifique

Carl Flesch (1873–1944)

Maison d’édition

Leipzig: Edition Peters, No. 4309b, 1930. Plate 10820b.

Droits d’auteur

Complete Score

Violin Partita No.1 in B minor, BWV 1002
Violin Partita No.1 in B minor, BWV 1002

Serge Blanc.

Éditeur scientifique

Maison d’édition

Serge Blanc

Remarques diverses

This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.

Droits d’auteur

Complete Score with Technical Indications

Violin Partita No.1 in B minor, BWV 1002

1720

•

8 movements

Plus d’informations

Violin Partita No.1 in B minor, BWV 1002

Sélection du bibliothécaire

Violin Partita No.1 in B minor, BWV 1002

Sélection du bibliothécaire

Bärenreiter Verlag, 1958.

Éditeur scientifique

Günter Haußwald (1908–1974)

Maison d’édition

Neue Bach-Ausgabe, Serie VI, Band 1 (pp.10-19)
Kassel: Bärenreiter Verlag, 1958. Plate BA 5012.

Remarques diverses

600 dpi. Page size is 10.00 x 12.688 inches.

Droits d’auteur

Breitkopf und Härtel, 1879.

Éditeur scientifique

Alfred Dörffel (1821–1905)

Maison d’édition

Bach-Gesellschaft Ausgabe, Band 27 (pp.10-18)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).

Remarques diverses

Because it was not available for consultation at the time, the editor of this score did not use Bach's autograph manuscript as a source for the Bach-Gesellschaft edition. The BG edition therefore contains occasional differences from the autograph. Perfomers are urged to consult the J.S. Bach autograph, or a modern critical edition, to settle questions of interpretation (especially in matters of phrasing and articulation).

Droits d’auteur

Carl Fischer, 1917.

Éditeur scientifique

Leopold Auer (1845–1930)

Maison d’édition

6 Sonatas for Unaccompanied Violin, No.2
New York: Carl Fischer, 1917. Plate 19544-43.

Droits d’auteur

Edition Peters, No. 4309b, 1930.

Éditeur scientifique

Carl Flesch (1873–1944)

Maison d’édition

Leipzig: Edition Peters, No. 4309b, 1930. Plate 10820b.

Droits d’auteur

Violin Partita No.1 in B minor, BWV 1002
Violin Partita No.1 in B minor, BWV 1002

Serge Blanc.

Éditeur scientifique

Maison d’édition

Serge Blanc

Remarques diverses

This exceptional document brings together the complete score with indications and comments provided by George Enescu to violinist Serge Blanc during his years of study with the maestro, including sonority, phrasing, tempi, fingering, and expression, culmination of the life’s work of a master considered as one of the greatest interpreters of this work.

Droits d’auteur