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Hasse, Johann Adolph

Hasse, Johann Adolph

Cajo Fabricio

1731

•

3 acts, each with 11, 14, 19 scenes

Plus d’informations

Partition

Interprétations

Partitions

Selections (1732 Version)


Cajo Fabricio
Cajo Fabricio

Public Domain

Manuscript, n.d.(ca.1732).

Copiste

Copyist of Rome

Maison d’édition

Manuscript, n.d.(ca.1732).

Remarques diverses

This file is based on high-resolution images obtained from the source using a method explained on this page.
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2477-F-109.
1. Act III, Sc.4. Aria of Cajo Fabricio: Quella è mia figlia
2. Act I, Sc.2. Aria of Cinea: Quando abbandona il lido
3. Act III, Sc.16. Aria of Volusio: Varcherò la flebil onda
4. Act II, Sc.11. Aria of Pirro: Se tu non senti oh dio
5. Act I, Sc.8. Aria of Pirro: Reca la pace in dono
6. Act III, Sc.14. Aria of Sestia: Lo sposo va a morte
7. Act II, Sc.4. Aria of Pirro: Non ha più pace
8. Act III, Sc.7. Aria of Sestia: Vedrai morir costante
9. Act I, Sc.3. Aria of Pirro: Vedi l'amata figlia
10. Act I, Sc.11. Aria of Sestia: Caro sposo amato oggetto
11. Act I, Sc.6. Aria of Bircenna: Non ti ricuso amante
12. Act II, Sc.8. Aria of Sestia: Lungi dagl'occhi tuoi
13. Act II, Sc.13. Aria of Sestia: Non mi chiamar crudele

Droits d’auteur

13 Arias

Selections (1734 Version)


Manuscript, n.d.(ca.1780).

Maison d’édition

Manuscript, n.d.(ca.1780).

Remarques diverses

Staatsbibliothek zu Berlin (D-B) : Am.B 305
This file is based on high-resolution images obtained from the source using a method explained on this page.

Droits d’auteur

Sinfonia & Complete Arias, Segment 1

Sinfonia & Complete Arias, Segment 2

Manuscript, n.d.(ca.1734-99).

Maison d’édition

Manuscript, n.d.(ca.1734-99).

Remarques diverses

Bibliothèque nationale de France, Musique (F-Pn): D.5399

Droits d’auteur

Sinfonia & Arias of Act I

Arias of Act II

Arias of Act III

Manuscript, 18th Century.

Maison d’édition

Manuscript, 18th Century.

Remarques diverses

Universitetsbibliotek, Uppsala (S-Uu): Gimo 162. With 2 anonymous instrumental works.

Droits d’auteur

Act I, Sc.3. Aria of Pirro: Vedi l'amata figlia

Manuscript, n.d.(ca.1740-60).

Maison d’édition

Manuscript, n.d.(ca.1740-60).

Remarques diverses

Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : Cantate 156 (13)
A showpiece for Caffarelli. Antonio Vivaldi arranged this aria for tenor voice and inserted it in the revised version of his opera "Dorilla in Tempe" (1732).

Droits d’auteur

Act II, Sc.4. Aria of Pirro: Non ha più pace

Cajo Fabricio
Cajo Fabricio

Creative Commons Attribution Share Alike 3.0

Björn Sothmann, 2012.

Éditeur scientifique

Maison d’édition

Geneva: Björn Sothmann, 2012.

Remarques diverses

Based upon a manuscript from Biblioteca del Conservatorio di musica S. Pietro a Majella. Lilypond source file on the Discussion page.

Droits d’auteur

Creative Commons Attribution Share Alike 3.0

Act II, Sc.4. Aria of Pirro: Non ha più pace

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Cajo Fabricio

1731

•

3 acts, each with 11, 14, 19 scenes

Plus d’informations

Selections (1732 Version)

Selections (1732 Version)


Manuscript, n.d.(ca.1732).

Copiste

Copyist of Rome

Maison d’édition

Manuscript, n.d.(ca.1732).

Remarques diverses

This file is based on high-resolution images obtained from the source using a method explained on this page.
Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2477-F-109.
1. Act III, Sc.4. Aria of Cajo Fabricio: Quella è mia figlia
2. Act I, Sc.2. Aria of Cinea: Quando abbandona il lido
3. Act III, Sc.16. Aria of Volusio: Varcherò la flebil onda
4. Act II, Sc.11. Aria of Pirro: Se tu non senti oh dio
5. Act I, Sc.8. Aria of Pirro: Reca la pace in dono
6. Act III, Sc.14. Aria of Sestia: Lo sposo va a morte
7. Act II, Sc.4. Aria of Pirro: Non ha più pace
8. Act III, Sc.7. Aria of Sestia: Vedrai morir costante
9. Act I, Sc.3. Aria of Pirro: Vedi l'amata figlia
10. Act I, Sc.11. Aria of Sestia: Caro sposo amato oggetto
11. Act I, Sc.6. Aria of Bircenna: Non ti ricuso amante
12. Act II, Sc.8. Aria of Sestia: Lungi dagl'occhi tuoi
13. Act II, Sc.13. Aria of Sestia: Non mi chiamar crudele

Droits d’auteur

Selections (1734 Version)

Selections (1734 Version)


Manuscript, n.d.(ca.1780).

Maison d’édition

Manuscript, n.d.(ca.1780).

Remarques diverses

Staatsbibliothek zu Berlin (D-B) : Am.B 305
This file is based on high-resolution images obtained from the source using a method explained on this page.

Droits d’auteur

Selections (1734 Version)


Manuscript, n.d.(ca.1734-99).

Maison d’édition

Manuscript, n.d.(ca.1734-99).

Remarques diverses

Bibliothèque nationale de France, Musique (F-Pn): D.5399

Droits d’auteur

Selections (1734 Version)


Manuscript, 18th Century.

Maison d’édition

Manuscript, 18th Century.

Remarques diverses

Universitetsbibliotek, Uppsala (S-Uu): Gimo 162. With 2 anonymous instrumental works.

Droits d’auteur

Selections (1734 Version)


Manuscript, n.d.(ca.1740-60).

Maison d’édition

Manuscript, n.d.(ca.1740-60).

Remarques diverses

Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : Cantate 156 (13)
A showpiece for Caffarelli. Antonio Vivaldi arranged this aria for tenor voice and inserted it in the revised version of his opera "Dorilla in Tempe" (1732).

Droits d’auteur

Selections (1734 Version)


Cajo Fabricio
Cajo Fabricio

Creative Commons Attribution Share Alike 3.0

Björn Sothmann, 2012.

Éditeur scientifique

Maison d’édition

Geneva: Björn Sothmann, 2012.

Remarques diverses

Based upon a manuscript from Biblioteca del Conservatorio di musica S. Pietro a Majella. Lilypond source file on the Discussion page.

Droits d’auteur

Creative Commons Attribution Share Alike 3.0

Selections (1734 Version)


Cajo Fabricio
Cajo Fabricio

Music Edition Baroque Opera, 2024.

Éditeur scientifique

Dragan Karolic (b. 1960)

Maison d’édition

Music Edition Baroque Opera, 2024.

Droits d’auteur