Partition
Partitions
Wm. A. Pond & Co., 1863.
Éditeur scientifique
First edition
Maison d’édition
New York: Wm. A. Pond & Co., 1863. Plate 5662.
Remarques diverses
"The Author's Last Composition"
Droits d’auteur
Boosey & Co., n.d.[1875].
Maison d’édition
Ten Popular Pieces (No.2)
London: Boosey & Co., n.d.[1875].
London: Boosey & Co., n.d.[1875].
Droits d’auteur
Novello Ewer & Co., n.d.(ca.1885).
Éditeur scientifique
Berthold Tours (1838-1897)
Maison d’édition
London: Novello Ewer & Co., n.d.(ca.1885). Plate 6822.
Droits d’auteur
Schirmer, 1908.
Éditeur scientifique
James Hotchkiss Rogers (1857–1940)
Maison d’édition
Wollenhaupt Album, a Collection of Eleven Favorite Pieces.
New York: Schirmer, 1908. Plate 20565.
New York: Schirmer, 1908. Plate 20565.
Remarques diverses
This file is part of the Sibley Mirroring Project. Possibly James Henderson Rogers, a contemporary (1852–1933) - there are some attribution confusions where James Hotchkiss Rogers and he are concerned.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
(-- is there a need for RoST here? Rogers was PD-EU even when this was uploaded?)
Droits d’auteur
Wm. A. Pond & Co., 1863.
Éditeur scientifique
First edition
Maison d’édition
New York: Wm. A. Pond & Co., 1863. Plate 5662.
Remarques diverses
"The Author's Last Composition"
Droits d’auteur
Boosey & Co., n.d.[1875].
Maison d’édition
Ten Popular Pieces (No.2)
London: Boosey & Co., n.d.[1875].
London: Boosey & Co., n.d.[1875].
Droits d’auteur
Novello Ewer & Co., n.d.(ca.1885).
Éditeur scientifique
Berthold Tours (1838-1897)
Maison d’édition
London: Novello Ewer & Co., n.d.(ca.1885). Plate 6822.
Droits d’auteur
Schirmer, 1908.
Éditeur scientifique
James Hotchkiss Rogers (1857–1940)
Maison d’édition
Wollenhaupt Album, a Collection of Eleven Favorite Pieces.
New York: Schirmer, 1908. Plate 20565.
New York: Schirmer, 1908. Plate 20565.
Remarques diverses
This file is part of the Sibley Mirroring Project. Possibly James Henderson Rogers, a contemporary (1852–1933) - there are some attribution confusions where James Hotchkiss Rogers and he are concerned.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
(-- is there a need for RoST here? Rogers was PD-EU even when this was uploaded?)
Droits d’auteur