Original version, Wq.30
Orfeo ed Euridice, Wq.30
Plus d’informations
Partition
Interprétations
Conducteurs
Manuscript, n.d.[1762?].
Langue
Italian
Maison d’édition
Manuscript, n.d.[1762?].
Remarques diverses
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Droits d’auteur
Manuscript, n.d.
Maison d’édition
Manuscript, n.d.
Remarques diverses
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Droits d’auteur
Duchesne, 1764.
Manuscript, 1838-1900.
Maison d’édition
Manuscript, 1838-1900.
Remarques diverses
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Droits d’auteur
Österreichischer Bundesverlag, 1914.
Éditeur scientifique
Hermann Abert (1871–1927)
Langue
Italian / German
Maison d’édition
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Remarques diverses
This file is part of the Sibley Mirroring Project.
Droits d’auteur
Österreichischer Bundesverlag, 1914.
Éditeur scientifique
Hermann Abert (1871–1927)
Langue
Italian / German
Maison d’édition
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Réimpression
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Droits d’auteur
Sur cette page
Orfeo ed Euridice, Wq.30
Plus d’informations
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Langue
Italian
Maison d’édition
Manuscript, n.d.[1762?].
Remarques diverses
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Maison d’édition
Manuscript, n.d.
Remarques diverses
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Maison d’édition
Manuscript, 1838-1900.
Remarques diverses
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Éditeur scientifique
Hermann Abert (1871–1927)
Langue
Italian / German
Maison d’édition
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Remarques diverses
This file is part of the Sibley Mirroring Project.
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Éditeur scientifique
Hermann Abert (1871–1927)
Langue
Italian / German
Maison d’édition
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Réimpression
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Éditeur scientifique
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Langue
Italian / German
Maison d’édition
Kassel: Bärenreiter, 1962. Plate BA 2294
Droits d’auteur
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Éditeur scientifique
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Maison d’édition
Kassel: Bärenreiter, 1962. Plate BA 2294.
Remarques diverses
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Droits d’auteur
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Copiste
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Maison d’édition
Manuscript, n.d.[1774].
Remarques diverses
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Droits d’auteur
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Maison d’édition
Manuscript, 1773.
Remarques diverses
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Droits d’auteur
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Maison d’édition
Manuscript, n.d.(ca.1774).
Remarques diverses
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Droits d’auteur
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Éditeur scientifique
Maison d’édition
Michel Rondeau
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Éditeur scientifique
Maison d’édition
Rutger Hofman
Droits d’auteur
Creative Commons Attribution Share Alike 3.0
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Éditeur scientifique
Maison d’édition
Michel Rondeau
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.