Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Partition
Interprétations
Partitions et parties
Unidentified Publisher, n.d.(ca.1676).
Maison d’édition
Unidentified Publisher, n.d.(ca.1676).
Remarques diverses
Title-page transcription
Ayrs For the Violin Preludes Allmands Sarabands Courantes Gigues Diuisions and double Compositions fitted to all hands and Capacities By Nicola Matteis. The 1st Part
Ayrs For the Violin Preludes Allmands Sarabands Courantes Gigues Diuisions and double Compositions fitted to all hands and Capacities By Nicola Matteis. The 1st Part
Droits d’auteur
Unidentified Publisher, n.d.(ca.1676).
Maison d’édition
Unidentified Publisher, n.d.(ca.1676).
Remarques diverses
Title-page transcription
Other Ayrs Preludes Allmands Sarabands &c with full stops for the Violin By Nicola Matteis. The 2nd Part.
Other Ayrs Preludes Allmands Sarabands &c with full stops for the Violin By Nicola Matteis. The 2nd Part.
Droits d’auteur
Unidentified Publisher, n.d.(ca.1685).
Maison d’édition
Unidentified Publisher, n.d.(ca.1685).
Remarques diverses
Title-page transcription
Ayres for the Violin to wit Preludes, Fuges, Allmands, Sarabands, Courants, Gigues, Fancies, Divisions, And likewise other Passages, Introductions, and Fuges, for Single and Double Stops; with Divisions, somewhat more Artificial, For the Emproving of the Hand, upon the Basse Viol or Harpsechord. The 3rd and 4th Parts. Composed by Nicola Matteis.
Ayres for the Violin to wit Preludes, Fuges, Allmands, Sarabands, Courants, Gigues, Fancies, Divisions, And likewise other Passages, Introductions, and Fuges, for Single and Double Stops; with Divisions, somewhat more Artificial, For the Emproving of the Hand, upon the Basse Viol or Harpsechord. The 3rd and 4th Parts. Composed by Nicola Matteis.
Droits d’auteur
Unidentified Publisher, n.d.(ca.1685).
Maison d’édition
Unidentified Publisher, n.d.(ca.1685).
Remarques diverses
Title-page transcription
Other Ayres and Pieces For the Violin, Bass-Viol and Harpsechord somewhat more Difficult and Artificial then the former. Composed for the Practice and Service of greater Masters upon those Instruments By Nicola Matteis. The 4th Part.
Other Ayres and Pieces For the Violin, Bass-Viol and Harpsechord somewhat more Difficult and Artificial then the former. Composed for the Practice and Service of greater Masters upon those Instruments By Nicola Matteis. The 4th Part.
Droits d’auteur
Selections
Selections
Schott Music Ltd., 1967.
Éditeur scientifique
Edgar Hunt (1909–2006)
Maison d’édition
London: Schott Music Ltd., 1967.
Droits d’auteur
Sur cette page
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Terminé
Complete
Complete
Unidentified Publisher, n.d.(ca.1676).
Maison d’édition
Unidentified Publisher, n.d.(ca.1676).
Remarques diverses
Title-page transcription
Ayrs For the Violin Preludes Allmands Sarabands Courantes Gigues Diuisions and double Compositions fitted to all hands and Capacities By Nicola Matteis. The 1st Part
Ayrs For the Violin Preludes Allmands Sarabands Courantes Gigues Diuisions and double Compositions fitted to all hands and Capacities By Nicola Matteis. The 1st Part
Droits d’auteur
Complete
Complete
Unidentified Publisher, n.d.(ca.1676).
Maison d’édition
Unidentified Publisher, n.d.(ca.1676).
Remarques diverses
Title-page transcription
Other Ayrs Preludes Allmands Sarabands &c with full stops for the Violin By Nicola Matteis. The 2nd Part.
Other Ayrs Preludes Allmands Sarabands &c with full stops for the Violin By Nicola Matteis. The 2nd Part.
Droits d’auteur
Complete
Complete
Unidentified Publisher, n.d.(ca.1685).
Maison d’édition
Unidentified Publisher, n.d.(ca.1685).
Remarques diverses
Title-page transcription
Ayres for the Violin to wit Preludes, Fuges, Allmands, Sarabands, Courants, Gigues, Fancies, Divisions, And likewise other Passages, Introductions, and Fuges, for Single and Double Stops; with Divisions, somewhat more Artificial, For the Emproving of the Hand, upon the Basse Viol or Harpsechord. The 3rd and 4th Parts. Composed by Nicola Matteis.
Ayres for the Violin to wit Preludes, Fuges, Allmands, Sarabands, Courants, Gigues, Fancies, Divisions, And likewise other Passages, Introductions, and Fuges, for Single and Double Stops; with Divisions, somewhat more Artificial, For the Emproving of the Hand, upon the Basse Viol or Harpsechord. The 3rd and 4th Parts. Composed by Nicola Matteis.
Droits d’auteur
Complete
Complete
Unidentified Publisher, n.d.(ca.1685).
Maison d’édition
Unidentified Publisher, n.d.(ca.1685).
Remarques diverses
Title-page transcription
Other Ayres and Pieces For the Violin, Bass-Viol and Harpsechord somewhat more Difficult and Artificial then the former. Composed for the Practice and Service of greater Masters upon those Instruments By Nicola Matteis. The 4th Part.
Other Ayres and Pieces For the Violin, Bass-Viol and Harpsechord somewhat more Difficult and Artificial then the former. Composed for the Practice and Service of greater Masters upon those Instruments By Nicola Matteis. The 4th Part.
Droits d’auteur
Selections
Selections
Selections
Selections
Schott Music Ltd., 1967.
Éditeur scientifique
Edgar Hunt (1909–2006)
Maison d’édition
London: Schott Music Ltd., 1967.
Droits d’auteur
Selections
Selections
Andrea Bornstein.
