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Scriabin, Aleksandr

Scriabin, Aleksandr

2 Poèmes, Op.71

1914

•

2 movements

Plus d’informations

Partition

Interprétations

Partitions

2 Poèmes, Op.71

Sélection du bibliothécaire

2 Poèmes, Op.71

Sélection du bibliothécaire

Public Domain

Edition Peters, No. 9077, 1968.

Éditeur scientifique

Günter Philipp (1927–2021)

Maison d’édition

Ausgewählte Klavierwerke, Band 3 (pp.92-95)
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.

Remarques diverses

All fingerings and editorial additions redacted.

Droits d’auteur

Complete Score

P. Jurgenson, n.d.[1914].

Éditeur scientifique

First edition (reprint)

Maison d’édition

Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.

Remarques diverses

This file is from the MIT archive project.

Droits d’auteur

Complete Score

P. Jurgenson, n.d.[1914].

Éditeur scientifique

First edition (corrected reprint)*

Maison d’édition

Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.

Réimpression

Moscow: Muzgiz, 1923. Plate 3984-3985.

Remarques diverses

Droits d’auteur

Complete Score

P. Jurgenson, n.d.(ca.1914).

Éditeur scientifique

First edition

Maison d’édition

Moscow: P. Jurgenson, n.d.(ca.1914). Plate 37657.

Droits d’auteur

1. Fantastique

P. Jurgenson, n.d.

Maison d’édition

Moscow: P. Jurgenson, n.d. Plate P. J. 1004.

Remarques diverses

It would seem this edition is more akin to a first edition than the one described as such above, but anyway what is of interest in this copy is that is was used by a rental emporium called G. CLEMENT, ÉDITEUR 129 bis, Rue de la Pompe, PARIS. It bears the number 4420 in the renter's catalog and establishes a pricing list for would-be borrowers. This merchant also made/sold pianos, starting in 1897, and went out of business in 1921. The pages have much yellowed since then, of course, but the score itself is clean, as the dealer used 2 Leduc taped covers (not scanned) to enfold the Scriabine work, with a sampling of piano works with one page for Albert Landry and the other for Théodore Lack. Apart from his pricing quotes, the dealer was particularly adamant that no fingering signs should be appended to his score, understandably so (Les doigtés sont rigoureusement interdits).

Droits d’auteur

2. En rêvant, avec une grande douceur

2 Poèmes, Op.71

1914

•

2 movements

Plus d’informations

2 Poèmes, Op.71

Sélection du bibliothécaire

2 Poèmes, Op.71

Sélection du bibliothécaire

Edition Peters, No. 9077, 1968.

Éditeur scientifique

Günter Philipp (1927–2021)

Maison d’édition

Ausgewählte Klavierwerke, Band 3 (pp.92-95)
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.

Remarques diverses

All fingerings and editorial additions redacted.

Droits d’auteur

P. Jurgenson, n.d.[1914].

Éditeur scientifique

First edition (reprint)

Maison d’édition

Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.

Remarques diverses

This file is from the MIT archive project.

Droits d’auteur

P. Jurgenson, n.d.[1914].

Éditeur scientifique

First edition (corrected reprint)*

Maison d’édition

Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.

Réimpression

Moscow: Muzgiz, 1923. Plate 3984-3985.

Remarques diverses

Droits d’auteur

P. Jurgenson, n.d.(ca.1914).

Éditeur scientifique

First edition

Maison d’édition

Moscow: P. Jurgenson, n.d.(ca.1914). Plate 37657.

Droits d’auteur

P. Jurgenson, n.d.

Maison d’édition

Moscow: P. Jurgenson, n.d. Plate P. J. 1004.

Remarques diverses

It would seem this edition is more akin to a first edition than the one described as such above, but anyway what is of interest in this copy is that is was used by a rental emporium called G. CLEMENT, ÉDITEUR 129 bis, Rue de la Pompe, PARIS. It bears the number 4420 in the renter's catalog and establishes a pricing list for would-be borrowers. This merchant also made/sold pianos, starting in 1897, and went out of business in 1921. The pages have much yellowed since then, of course, but the score itself is clean, as the dealer used 2 Leduc taped covers (not scanned) to enfold the Scriabine work, with a sampling of piano works with one page for Albert Landry and the other for Théodore Lack. Apart from his pricing quotes, the dealer was particularly adamant that no fingering signs should be appended to his score, understandably so (Les doigtés sont rigoureusement interdits).

Droits d’auteur