Mozart's Fragment
Oboe Concerto in F major, K.293/416f
Plus d’informations
Partition
Interprétations
Conducteurs
Holograph manuscript, n.d.(ca.1778).
Maison d’édition
Holograph manuscript, n.d.(ca.1778).
Remarques diverses
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Droits d’auteur
Breitkopf & Härtel, 1882.
Éditeur scientifique
Ernst Rudorff (1840–1916)
First edition
First edition
Maison d’édition
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Remarques diverses
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Droits d’auteur
Bärenreiter-Verlag, 1981.
Éditeur scientifique
Franz Giegling (1921–2007)
Maison d’édition
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Remarques diverses
scan: score scanned at 600dpi (High Quality Scanning)
Droits d’auteur
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangeur
Gavin Jared Bala (b. 1999)
Maison d’édition
Gavin Jared Bala, 2023 (June).
Remarques diverses
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
Sur cette page
Oboe Concerto in F major, K.293/416f
Plus d’informations
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Holograph manuscript, n.d.(ca.1778).
Maison d’édition
Holograph manuscript, n.d.(ca.1778).
Remarques diverses
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Droits d’auteur
Mozart's Fragment
Mozart's Fragment
Breitkopf & Härtel, 1882.
Éditeur scientifique
Ernst Rudorff (1840–1916)
First edition
First edition
Maison d’édition
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Remarques diverses
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Droits d’auteur
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1981.
Éditeur scientifique
Franz Giegling (1921–2007)
Maison d’édition
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Remarques diverses
scan: score scanned at 600dpi (High Quality Scanning)
Droits d’auteur
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangeur
Gavin Jared Bala (b. 1999)
Maison d’édition
Gavin Jared Bala, 2023 (June).
Remarques diverses
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.