Partition
Interprétations
Conducteurs
Boosey & Hawkes, 1967.
Maison d’édition
Remarques diverses
Droits d’auteur
Editions Russes de Musique, 1921.
Éditeur scientifique
Maison d’édition
Remarques diverses
Droits d’auteur
Russischer Musikverlag G.m.b.H., 1921**.
Éditeur scientifique
Friedrich Hermann Schneider (1860–1930) alleged editor*
Maison d’édition
Réimpression
Remarques diverses
- As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
**The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name.
#787324: Processed version of #756159.
Droits d’auteur
Muzyka, 1965.
Maison d’édition
Réimpression
Mineola: Dover Publications, 1989.
Remarques diverses
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
Droits d’auteur
Musytschna Ukraina, n.d.[1975].
Maison d’édition
Remarques diverses
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
Droits d’auteur
Boosey & Hawkes, 1967.
Maison d’édition
Réimpression
Remarques diverses
Droits d’auteur
Boosey & Hawkes, 1967.
Maison d’édition
Remarques diverses
Droits d’auteur
Editions Russes de Musique, 1921.
Éditeur scientifique
Maison d’édition
Remarques diverses
Droits d’auteur
Russischer Musikverlag G.m.b.H., 1921**.
Éditeur scientifique
Friedrich Hermann Schneider (1860–1930) alleged editor*
Maison d’édition
Réimpression
Remarques diverses
- As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
**The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name.
#787324: Processed version of #756159.
Droits d’auteur
Muzyka, 1965.
Maison d’édition
Réimpression
Mineola: Dover Publications, 1989.
Remarques diverses
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
Droits d’auteur
Musytschna Ukraina, n.d.[1975].
Maison d’édition
Remarques diverses
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
Droits d’auteur
Boosey & Hawkes, 1967.
Maison d’édition
Réimpression
Remarques diverses
Droits d’auteur



