Partition
Partitions
John Church Company, 1908.
Maison d’édition
Cincinnati: John Church Company, 1908. Plate 15941-4.
Remarques diverses
This file is part of the Sibley Mirroring Project.
The composer in this case specifies that the version for high voice is the original version, making the low voice version perhaps an arrangement/transcription rather than an alternate. Debatable.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
The composer in this case specifies that the version for high voice is the original version, making the low voice version perhaps an arrangement/transcription rather than an alternate. Debatable.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Droits d’auteur
John Church Company, 1908.
Maison d’édition
Cincinnati: John Church Company, 1908. Plate 15941-4.
Remarques diverses
This file is part of the Sibley Mirroring Project.
The composer in this case specifies that the version for high voice is the original version, making the low voice version perhaps an arrangement/transcription rather than an alternate. Debatable.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
The composer in this case specifies that the version for high voice is the original version, making the low voice version perhaps an arrangement/transcription rather than an alternate. Debatable.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Droits d’auteur