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Dohnányi, Ernő

Dohnányi, Ernő

4 Rhapsodien, Op.11

1902

•

4 rhapsodies

Plus d’informations

Partition

Interprétations

Partitions

4 Rhapsodien, Op.11
4 Rhapsodien, Op.11

Public Domain

Doblinger, 1904.

Maison d’édition

Vienna: Doblinger, 1904. Plate D. 3117-3120.

Réimpression

Mineola, NY: Dover Publications, 1999.

Remarques diverses

Published in 1904, not 1904-05. See Monatsbericht 1904 683.

Droits d’auteur

Complete Score

Willis Music Co., n.d.

Maison d’édition

Cincinnati: Willis Music Co., n.d. Plate W. M. Co. 3948.

Remarques diverses

This file is part of the Sibley Mirroring Project.

Droits d’auteur

2. Rhapsody in F♯ minor

Arcadia Music Publishing Co., Ltd., 1948.

Maison d’édition

London: Arcadia Music Publishing Co., Ltd., 1948. Plate A.M. 131

Remarques diverses

From the uploader's library. Published "by arrangement with Ludwig Doblinger (Bernhard Herzmansky) K.G., Wien", with a bogus (?) "International Copyright Secured" notice. Exactly the same layout therefore as the Doblinger edition, so there seems to be little point in adding the complete score (same remark goes however for the Willis Music edition, except the latter avoids mentioning Doblinger altogether).

Droits d’auteur

Covers & Title Page

4 Rhapsodien, Op.11

1902

•

4 rhapsodies

Plus d’informations

Doblinger, 1904.

Maison d’édition

Vienna: Doblinger, 1904. Plate D. 3117-3120.

Réimpression

Mineola, NY: Dover Publications, 1999.

Remarques diverses

Published in 1904, not 1904-05. See Monatsbericht 1904 683.

Droits d’auteur

Willis Music Co., n.d.

Maison d’édition

Cincinnati: Willis Music Co., n.d. Plate W. M. Co. 3948.

Remarques diverses

This file is part of the Sibley Mirroring Project.

Droits d’auteur

Arcadia Music Publishing Co., Ltd., 1948.

Maison d’édition

London: Arcadia Music Publishing Co., Ltd., 1948. Plate A.M. 131

Remarques diverses

From the uploader's library. Published "by arrangement with Ludwig Doblinger (Bernhard Herzmansky) K.G., Wien", with a bogus (?) "International Copyright Secured" notice. Exactly the same layout therefore as the Doblinger edition, so there seems to be little point in adding the complete score (same remark goes however for the Willis Music edition, except the latter avoids mentioning Doblinger altogether).

Droits d’auteur