2 Morceaux, Op.1 (Koussevitzky, Serge) | IMSLP Clara

Koussevitzky, Serge

2 Morceaux, Op.1

•

2 pieces

Plus d’informations

Partition

Interprétations

Partitions et parties

Andante (No.1)

2 Morceaux, Op.1

2 Morceaux, Op.1

Public Domain

P. Jurgenson, n.d.1907 .

Éditeur scientifique

First edition

Maison d’édition

Moscow: P. Jurgenson, n.d.1907 .

Remarques diverses

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Droits d’auteur

Public Domain

Complete Score

Double Bass Part

2 Morceaux, Op.1

2 Morceaux, Op.1

Creative Commons Attribution Non-commercial 3.0

Virtuosito.

Éditeur scientifique

Maison d’édition

Virtuosito

Remarques diverses

Bass part in G major for peformance in solo tuning (F#-B-e-a) with piano part in A major, or for playing in orchestra tuning (E-A-d-g) with piano part in G major.

Droits d’auteur

Creative Commons Attribution Non-commercial 3.0

Double Bass Part

Valse Miniature (No.2)

2 Morceaux, Op.1

2 Morceaux, Op.1

Public Domain

International Music Company, 1949.

Éditeur scientifique

Fred Zimmermann (1906–1967)

Maison d’édition

New York: International Music Company, 1949. Plate 1154.

Remarques diverses

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Droits d’auteur

Public Domain

Complete Score

(Ressource externe)

Double Bass Part

(Ressource externe)

2 Morceaux, Op.1

2 Morceaux, Op.1

Anders Rove.

Éditeur scientifique

Maison d’édition

Anders Rove

Remarques diverses

Bass part transposed up a whole step to A major.

Droits d’auteur

Double Bass Part (Transposed, A major)

2 Morceaux, Op.1

2 Morceaux, Op.1

Zakriya Bashir-Hill, 2019.

Arrangeur

Zakriya Bashir-Hill (b. 1999)

Maison d’édition

Zakriya Bashir-Hill, 2019.

Remarques diverses

Transposed piano part down a whole step to G major for use with a standard tuned bass.

Droits d’auteur

Piano Part (Transposed, G major)

Sur cette page

Koussevitzky, Serge

2 Morceaux, Op.1

•

2 pieces

Plus d’informations

Andante (No.1)

Andante (No.1)

2 Morceaux, Op.1

2 Morceaux, Op.1

Public Domain

P. Jurgenson, n.d.1907 .

Éditeur scientifique

First edition

Maison d’édition

Moscow: P. Jurgenson, n.d.1907 .

Remarques diverses

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Droits d’auteur

Public Domain

Andante (No.1)

2 Morceaux, Op.1

2 Morceaux, Op.1

Creative Commons Attribution Non-commercial 3.0

Virtuosito.

Éditeur scientifique

Maison d’édition

Virtuosito

Remarques diverses

Bass part in G major for peformance in solo tuning (F#-B-e-a) with piano part in A major, or for playing in orchestra tuning (E-A-d-g) with piano part in G major.

Droits d’auteur

Creative Commons Attribution Non-commercial 3.0

Valse Miniature (No.2)

Valse Miniature (No.2)

2 Morceaux, Op.1

2 Morceaux, Op.1

Public Domain

International Music Company, 1949.

Éditeur scientifique

Fred Zimmermann (1906–1967)

Maison d’édition

New York: International Music Company, 1949. Plate 1154.

Remarques diverses

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Droits d’auteur

Public Domain

Valse Miniature (No.2)

2 Morceaux, Op.1

2 Morceaux, Op.1

Anders Rove.

Éditeur scientifique

Maison d’édition

Anders Rove

Remarques diverses

Bass part transposed up a whole step to A major.

Droits d’auteur

Valse Miniature (No.2)

2 Morceaux, Op.1

2 Morceaux, Op.1

Zakriya Bashir-Hill, 2019.

Arrangeur

Zakriya Bashir-Hill (b. 1999)

Maison d’édition

Zakriya Bashir-Hill, 2019.

Remarques diverses

Transposed piano part down a whole step to G major for use with a standard tuned bass.

Droits d’auteur