Partition
Conducteurs
Manuscript, 1940. (January 29th – June 3rd).
Maison d’édition
Manuscript, 1940. (January 29th – June 3rd).
Remarques diverses
Working manuscript in black ink. Short score comprising a piano system with a separate stave for the soloist.
Some discrepancies found in the allocation of voices compared to the final full score; namely in the closing chorale, where the chorale theme is found on the soloists stave.
Some discrepancies found in the allocation of voices compared to the final full score; namely in the closing chorale, where the chorale theme is found on the soloists stave.
Droits d’auteur
Manuscript, 1940. (June 16th).
Maison d’édition
Manuscript, 1940. (June 16th).
Remarques diverses
Working manuscript in black ink. Full score.
Emendations in pencil and red and blue crayon.
Emendations in pencil and red and blue crayon.
Droits d’auteur
Manuscript, 1945.
Copiste
Bjarne Thorleif Larssen (1910–1973)
Maison d’édition
Manuscript, 1945.
Remarques diverses
Fair copy in black ink. Short score comprising a piano system with a separate stave for the soloist.
The stave allocation of voices matches that of the short score in Valen’s hand, but with instrumentation markings noting the correct final instrumentation.
First and last pages carry Larssen’s stamp, signature and dating appear on last page.
The stave allocation of voices matches that of the short score in Valen’s hand, but with instrumentation markings noting the correct final instrumentation.
First and last pages carry Larssen’s stamp, signature and dating appear on last page.
Droits d’auteur
Manuscript, n.d.[1945?].
Copiste
Bjarne Thorleif Larssen (1910–1973)
Maison d’édition
Manuscript, n.d.[1945?].
Remarques diverses
Fair copy in black ink. Full score.
A few emendations in pencil.
Dates on the score originates from the short score in Valen’s hand.
First and last pages carry Larssen's stamp.
A few emendations in pencil.
Dates on the score originates from the short score in Valen’s hand.
First and last pages carry Larssen's stamp.
Droits d’auteur
Manuscript, 1940. (January 29th – June 3rd).
Maison d’édition
Manuscript, 1940. (January 29th – June 3rd).
Remarques diverses
Working manuscript in black ink. Short score comprising a piano system with a separate stave for the soloist.
Some discrepancies found in the allocation of voices compared to the final full score; namely in the closing chorale, where the chorale theme is found on the soloists stave.
Some discrepancies found in the allocation of voices compared to the final full score; namely in the closing chorale, where the chorale theme is found on the soloists stave.
Droits d’auteur
Manuscript, 1940. (June 16th).
Maison d’édition
Manuscript, 1940. (June 16th).
Remarques diverses
Working manuscript in black ink. Full score.
Emendations in pencil and red and blue crayon.
Emendations in pencil and red and blue crayon.
Droits d’auteur
Manuscript, 1945.
Copiste
Bjarne Thorleif Larssen (1910–1973)
Maison d’édition
Manuscript, 1945.
Remarques diverses
Fair copy in black ink. Short score comprising a piano system with a separate stave for the soloist.
The stave allocation of voices matches that of the short score in Valen’s hand, but with instrumentation markings noting the correct final instrumentation.
First and last pages carry Larssen’s stamp, signature and dating appear on last page.
The stave allocation of voices matches that of the short score in Valen’s hand, but with instrumentation markings noting the correct final instrumentation.
First and last pages carry Larssen’s stamp, signature and dating appear on last page.
Droits d’auteur
Manuscript, n.d.[1945?].
Copiste
Bjarne Thorleif Larssen (1910–1973)
Maison d’édition
Manuscript, n.d.[1945?].
Remarques diverses
Fair copy in black ink. Full score.
A few emendations in pencil.
Dates on the score originates from the short score in Valen’s hand.
First and last pages carry Larssen's stamp.
A few emendations in pencil.
Dates on the score originates from the short score in Valen’s hand.
First and last pages carry Larssen's stamp.
Droits d’auteur