Messe d'intavolatura d'organo
3 Masses and 3 Credos
Plus d’informations
Partition
Partitions
American Institute of Musicology, 1991.
Éditeur scientifique
Robert Judd (1956–2019)
John Anthony Caldwell (b. 1938), general editor
John Anthony Caldwell (b. 1938), general editor
Maison d’édition
Rome: American Institute of Musicology, 1991.
Remarques diverses
750 dpi, monochrome. Most of preface removed; critical notes retained. This edition also contains reproductions of chants from 16th-century sources on which this organ music was based.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Droits d’auteur
Messe d'intavolatura d'organo
3 Masses and 3 Credos
Plus d’informations
American Institute of Musicology, 1991.
Éditeur scientifique
Robert Judd (1956–2019)
John Anthony Caldwell (b. 1938), general editor
John Anthony Caldwell (b. 1938), general editor
Maison d’édition
Rome: American Institute of Musicology, 1991.
Remarques diverses
750 dpi, monochrome. Most of preface removed; critical notes retained. This edition also contains reproductions of chants from 16th-century sources on which this organ music was based.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Droits d’auteur