Partition
Partitions
Manuscript, n.d.(ca.1894).
Maison d’édition
Manuscript, n.d.(ca.1894).
Droits d’auteur
Manuscript, n.d.(ca.1895).
Maison d’édition
Manuscript, n.d.(ca.1895).
Droits d’auteur
Stefano Paparozzi, 2024.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2024.
Remarques diverses
This is not a scientific critical edition, just an engraving making for study purpose. The source are the two manuscripts available on IMSLP, both from the Bayerische Staatsbibliothek (Münchener Digatilisierungszentrum). The first manuscript has various corrections made by pencil; the second manuscript appears to be the reception of these corrections, and is otherwise mostly coherent with the the first source. The engraving is made according to this assumption about the relation within the two manuscripts, making the spare incoherences uniform as for clear musical reason (with the only exception of a couple of passages in the last movement, where the inconsistencies are properly highlithed).
Manuscript, n.d.(ca.1894).
Maison d’édition
Manuscript, n.d.(ca.1894).
Droits d’auteur
Manuscript, n.d.(ca.1895).
Maison d’édition
Manuscript, n.d.(ca.1895).
Droits d’auteur
Stefano Paparozzi, 2024.
Éditeur scientifique
Stefano Paparozzi (b. 1986)
Maison d’édition
Stefano Paparozzi, 2024.
Remarques diverses
This is not a scientific critical edition, just an engraving making for study purpose. The source are the two manuscripts available on IMSLP, both from the Bayerische Staatsbibliothek (Münchener Digatilisierungszentrum). The first manuscript has various corrections made by pencil; the second manuscript appears to be the reception of these corrections, and is otherwise mostly coherent with the the first source. The engraving is made according to this assumption about the relation within the two manuscripts, making the spare incoherences uniform as for clear musical reason (with the only exception of a couple of passages in the last movement, where the inconsistencies are properly highlithed).