Complete
Partition
Interprétations
Partitions et parties
l'Autheur, Boyvin, etc., 1722.
Éditeur scientifique
First edition
Maison d’édition
Paris: l'Autheur, Boyvin, etc., 1722.
Remarques diverses
This score can be performed either by solo harpsichord or a small ensemble. If by an ensemble, the top line would be played by one or more treble instruments including flute, recorder, violin and oboe; cello, viola da gamba, or other bass instrument would play the bass line; and harpsichord would play both the bass line and realized harmonies based on the figures.
Droits d’auteur
Les Éditions Outremontaises, 2015.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2015
Remarques diverses
Urtext edition after a facsimile of the original publication
Premier Concert
Premier Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
1-5 /7
Second Concert
Second Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
1-5 /6
Troisième Concert
Troisième Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
1-5 /9
Troisième Concert
Troisième Concert
Troisième Concert
Troisième Concert
Transposed in C (for alto recorder)
Transposed in C (for alto recorder)
Les Éditions Outremontaises, 2014.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2014
Remarques diverses
Transposed from A major/minor to C major/minor.
1-5 /8
Sur cette page
Terminé
Complete
Complete
l'Autheur, Boyvin, etc., 1722.
Éditeur scientifique
First edition
Maison d’édition
Paris: l'Autheur, Boyvin, etc., 1722.
Remarques diverses
This score can be performed either by solo harpsichord or a small ensemble. If by an ensemble, the top line would be played by one or more treble instruments including flute, recorder, violin and oboe; cello, viola da gamba, or other bass instrument would play the bass line; and harpsichord would play both the bass line and realized harmonies based on the figures.
Droits d’auteur
Complete
Complete
Les Éditions Outremontaises, 2015.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2015
Remarques diverses
Urtext edition after a facsimile of the original publication
Premier Concert
Premier Concert
Premier Concert
Premier Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Second Concert
Second Concert
Second Concert
Second Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Troisième Concert
Troisième Concert
Troisième Concert
Troisième Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Quatrième Concert
Quatrième Concert
Quatrième Concert
Quatrième Concert
Les Éditions Outremontaises, 2006.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2006
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Urtext edition after a facsimile of the original. Original key (E minor/major).
However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Urtext edition after a facsimile of the original. Original key (E minor/major).
However, the figures for the bass line have not been reproduced, like in similar harpsichord solo pieces
Troisième Concert
Troisième Concert
Développer
Quatrième Concert
Quatrième Concert
Développer