Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5
3 movements
Plus d’informations
Partition
Interprétations
Conducteurs
Hans Sikorski, n.d.
Éditeur scientifique
Hermann Töttcher (1910–1959)
Karl Grebe (1901–1980)
First edition??
Karl Grebe (1901–1980)
First edition??
Maison d’édition
Hamburg: Hans Sikorski, n.d. Plate H.S. 244.
Reissue - 1965, with new preface? and bogus copyright claim.
Reissue - 1965, with new preface? and bogus copyright claim.
Remarques diverses
From the uploader's library. Note: In his short unhelpful preface dated 1964 in Hamburg, Karl Grebe does not care to indicate what source he used for his edition, which is described as "edited and arranged" and claims to be a "First Edition", a situation which should have encouraged him to clarify these points. Incidentally, the other editions here do not shed further light on the matter, from which one might surmise that this edition may have been used as their source. Karl Grebe feels that this work is an excellent example of how Telemann pioneered "the newly opening realms of concerted music", an exciting prospect were it not that the authenticity of this work appears to be questionable.
Droits d’auteur
Michel Rondeau.
Éditeur scientifique
Michel Rondeau (b. 1948)
Maison d’édition
Michel Rondeau
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.
Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5
3 movements
Plus d’informations
Hans Sikorski, n.d.
Éditeur scientifique
Hermann Töttcher (1910–1959)
Karl Grebe (1901–1980)
First edition??
Karl Grebe (1901–1980)
First edition??
Maison d’édition
Hamburg: Hans Sikorski, n.d. Plate H.S. 244.
Reissue - 1965, with new preface? and bogus copyright claim.
Reissue - 1965, with new preface? and bogus copyright claim.
Remarques diverses
From the uploader's library. Note: In his short unhelpful preface dated 1964 in Hamburg, Karl Grebe does not care to indicate what source he used for his edition, which is described as "edited and arranged" and claims to be a "First Edition", a situation which should have encouraged him to clarify these points. Incidentally, the other editions here do not shed further light on the matter, from which one might surmise that this edition may have been used as their source. Karl Grebe feels that this work is an excellent example of how Telemann pioneered "the newly opening realms of concerted music", an exciting prospect were it not that the authenticity of this work appears to be questionable.
Droits d’auteur
Michel Rondeau.
Éditeur scientifique
Michel Rondeau (b. 1948)
Maison d’édition
Michel Rondeau
Remarques diverses
These file(s) are part of the Werner Icking Music Collection.