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Pisendel, Johann Georg

Violin Concerto in E minor

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3 movements

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Partition

Partitions et parties

Violin Concerto in E minor
Violin Concerto in E minor

Public Domain

Autograph manuscript, n.d.(1720-35).

Maison d’édition

Autograph manuscript, n.d.(1720-35).

Droits d’auteur

Complete Score

Autograph manuscript, n.d.(1720-35).

Maison d’édition

Autograph manuscript, n.d.(1720-35).

Droits d’auteur

Complete Parts

Manuscript, n.d.(ca.1720-1735).

Maison d’édition

Manuscript, n.d.(ca.1720-1735).

Droits d’auteur

Complete Parts

Violin Concerto in E minor
Violin Concerto in E minor

Tim Willis.

Éditeur scientifique

Maison d’édition

Tim Willis

Remarques diverses

This edition is based on the autograph sources above. The cembalo (or organo, in the manuscript by Troyer) is the only part which accompanies the soloist, and so a continuo cello part is provided without figures so that the keyboard may be reinforced by a cello, as is customary. The Basso Ripieno part, of which two copies are supplied in the autograph parts, is tacet during solo sections. This was probably intended to be played by the section of celli and bassi, and it would also be possible to augment this with a bassoon, especially when oboes are used. The autograph parts contain 2 separate violin 1 parts, the second labelled "violino primo 1 hautb", does not play in the solo sections (marked "pia:"). Presumably a second oboe doubles the second violins during the tutti sections.

Droits d’auteur

Complete Score and Parts

Violin Concerto in E minor
Violin Concerto in E minor

Edition MusanKo.

Éditeur scientifique

Maison d’édition

Remarques diverses

The authorship of Pisendel is doubtful, so the editor prefers to speak from an anonymous composer

Droits d’auteur

Complete Score and Parts

Violin Concerto in E minor

3 movements

Plus d’informations

Autograph manuscript, n.d.(1720-35).

Maison d’édition

Autograph manuscript, n.d.(1720-35).

Droits d’auteur

Autograph manuscript, n.d.(1720-35).

Maison d’édition

Autograph manuscript, n.d.(1720-35).

Droits d’auteur

Manuscript, n.d.(ca.1720-1735).

Maison d’édition

Manuscript, n.d.(ca.1720-1735).

Droits d’auteur

Violin Concerto in E minor
Violin Concerto in E minor

Tim Willis.

Éditeur scientifique

Maison d’édition

Tim Willis

Remarques diverses

This edition is based on the autograph sources above. The cembalo (or organo, in the manuscript by Troyer) is the only part which accompanies the soloist, and so a continuo cello part is provided without figures so that the keyboard may be reinforced by a cello, as is customary. The Basso Ripieno part, of which two copies are supplied in the autograph parts, is tacet during solo sections. This was probably intended to be played by the section of celli and bassi, and it would also be possible to augment this with a bassoon, especially when oboes are used. The autograph parts contain 2 separate violin 1 parts, the second labelled "violino primo 1 hautb", does not play in the solo sections (marked "pia:"). Presumably a second oboe doubles the second violins during the tutti sections.

Droits d’auteur

Violin Concerto in E minor
Violin Concerto in E minor

Edition MusanKo.

Éditeur scientifique

Maison d’édition

Remarques diverses

The authorship of Pisendel is doubtful, so the editor prefers to speak from an anonymous composer

Droits d’auteur