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Donizetti, Gaetano

Donizetti, Gaetano

Trio, A 507

•

2 sections (Larghetto — Allegro)

Más información

Partituras

Partituras y particellas

Trio, A 507
Trio, A 507

Public Domain

Holograph manuscript, n.d.

Editorial

Holograph manuscript, n.d.

Observaciones varias

Bergamo, Archivio del Museo donizettiano, BG0385.
At the end: "Che Dio ti benedica o benedetta sonata eterna".

Derechos de autor

Complete Score

Trio, A 507
Trio, A 507

Albrecht Zumbrunn.

Editorial

Albrecht Zumbrunn

Observaciones varias

Transcribed from the autograph above. For musicians to enjoy!

Derechos de autor

Complete Score

Flute

Bassoon

Engraving Files (mxl)

Trio, A 507
Trio, A 507

Roberto Martinelli, 2025.

Editorial

Roberto Martinelli, 2025.

Observaciones varias

This edition is based on the MuseScore file available on IMSLP, prepared by Albrecht Zumbrunn and derived from the original manuscript, which contains several intentionally uncorrected errors. I have made only a few essential corrections after comparing questionable passages with a recording available on YouTube, without introducing any interpretative changes. The aim is simply to provide a more readable and practical version for study. If any further errors are found, I will be happy to correct them.

Derechos de autor

Complete Score

Flute

Bassoon

Engraving files (MuseScore)

Trio, A 507

2 sections (Larghetto — Allegro)

Más información

Holograph manuscript, n.d.

Editorial

Holograph manuscript, n.d.

Observaciones varias

Bergamo, Archivio del Museo donizettiano, BG0385.
At the end: "Che Dio ti benedica o benedetta sonata eterna".

Derechos de autor

Trio, A 507
Trio, A 507

Albrecht Zumbrunn.

Editorial

Albrecht Zumbrunn

Observaciones varias

Transcribed from the autograph above. For musicians to enjoy!

Derechos de autor

Trio, A 507
Trio, A 507

Roberto Martinelli, 2025.

Editorial

Roberto Martinelli, 2025.

Observaciones varias

This edition is based on the MuseScore file available on IMSLP, prepared by Albrecht Zumbrunn and derived from the original manuscript, which contains several intentionally uncorrected errors. I have made only a few essential corrections after comparing questionable passages with a recording available on YouTube, without introducing any interpretative changes. The aim is simply to provide a more readable and practical version for study. If any further errors are found, I will be happy to correct them.

Derechos de autor