Magnificat tertii et octavi toni
Más información
Partituras
Particellas
Robert Quercentius, 1552.
Revisor
First edition
Editorial
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Observaciones varias
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Derechos de autor
Magnificat tertii et octavi toni
Más información
Robert Quercentius, 1552.
Revisor
First edition
Editorial
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Observaciones varias
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Derechos de autor