This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Más información.
Partituras
Interpretaciones
Partituras y particellas
Ricciardo Amadino, 1608.
Revisor
First edition
Editorial
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Observaciones varias
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Derechos de autor
Pierre Phalèse (the Younger), 1615.
Editorial
Anvers: Pierre Phalèse (the Younger), 1615.
Observaciones varias
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Derechos de autor
Universal Edition, (1927).
Arreglista
Gian Francesco Malipiero (1882–1973), continuo realizations
Editorial
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Derechos de autor
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Más información.
Ricciardo Amadino, 1608.
Revisor
First edition
Editorial
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Observaciones varias
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Derechos de autor
Pierre Phalèse (the Younger), 1615.
Editorial
Anvers: Pierre Phalèse (the Younger), 1615.
Observaciones varias
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Derechos de autor
Universal Edition, (1927).
Arreglista
Gian Francesco Malipiero (1882–1973), continuo realizations
Editorial
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Derechos de autor