Mozart's Fragment
Clarinet Quintet in A major, K.Anh.88/581a
Más información
Partituras
Interpretaciones
Partituras
Bärenreiter-Verlag, 1958.
Revisor
Ernst Fritz Schmid (1904–1960)
Editorial
Neue Mozart-Ausgabe, Serie VIII, Werkgruppe 19 [NMA VIII/19/Abt. 2] (pp.50-52)
Kassel: Bärenreiter-Verlag, 1958. Plate BA 4515.
Kassel: Bärenreiter-Verlag, 1958. Plate BA 4515.
Observaciones varias
scan: score scanned at 600dpi (High Quality Scanning)
This edition stops at bar 89, as the last page of Mozart's fragment (up to bar 110) was not then known. The transcription of the last page has been included in the 2007 critical report of the volume.
This edition stops at bar 89, as the last page of Mozart's fragment (up to bar 110) was not then known. The transcription of the last page has been included in the 2007 critical report of the volume.
Derechos de autor
Completions
Completions
Gavin Jared Bala, 2024.
Arreglista
Gavin Jared Bala (b. 1999)
Editorial
Gavin Jared Bala, 2024.
Observaciones varias
Completion composed 4 May 2024.
This completion also incorporates the last page of Mozart's fragment (up to bar 110). The letters M. and B. throughout the score indicate which parts were composed by Mozart or the arranger, respectively.
To make it more accessible, this completion is intended for the more common standard clarinet, despite Mozart's intention having been a basset clarinet. With the exception of a low E-flat that Mozart wrote in the existing fragment, it does not use the basset notes; and an alternative is provided to play this note an octave up. The completion writes up to written g for the clarinet, which appears in the Clarinet Concerto (third movement, bar 92).
The main theme of the fragment is based on Ferrando's aria "Ah, lo veggio" from Così fan tutte, K.588, and this completion borrows significantly from it.
This completion also incorporates the last page of Mozart's fragment (up to bar 110). The letters M. and B. throughout the score indicate which parts were composed by Mozart or the arranger, respectively.
To make it more accessible, this completion is intended for the more common standard clarinet, despite Mozart's intention having been a basset clarinet. With the exception of a low E-flat that Mozart wrote in the existing fragment, it does not use the basset notes; and an alternative is provided to play this note an octave up. The completion writes up to written g for the clarinet, which appears in the Clarinet Concerto (third movement, bar 92).
The main theme of the fragment is based on Ferrando's aria "Ah, lo veggio" from Così fan tutte, K.588, and this completion borrows significantly from it.
En esta página
Clarinet Quintet in A major, K.Anh.88/581a
Más información
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1958.
Revisor
Ernst Fritz Schmid (1904–1960)
Editorial
Neue Mozart-Ausgabe, Serie VIII, Werkgruppe 19 [NMA VIII/19/Abt. 2] (pp.50-52)
Kassel: Bärenreiter-Verlag, 1958. Plate BA 4515.
Kassel: Bärenreiter-Verlag, 1958. Plate BA 4515.
Observaciones varias
scan: score scanned at 600dpi (High Quality Scanning)
This edition stops at bar 89, as the last page of Mozart's fragment (up to bar 110) was not then known. The transcription of the last page has been included in the 2007 critical report of the volume.
This edition stops at bar 89, as the last page of Mozart's fragment (up to bar 110) was not then known. The transcription of the last page has been included in the 2007 critical report of the volume.
Derechos de autor
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2024.
Arreglista
Gavin Jared Bala (b. 1999)
Editorial
Gavin Jared Bala, 2024.
Observaciones varias
Completion composed 4 May 2024.
This completion also incorporates the last page of Mozart's fragment (up to bar 110). The letters M. and B. throughout the score indicate which parts were composed by Mozart or the arranger, respectively.
To make it more accessible, this completion is intended for the more common standard clarinet, despite Mozart's intention having been a basset clarinet. With the exception of a low E-flat that Mozart wrote in the existing fragment, it does not use the basset notes; and an alternative is provided to play this note an octave up. The completion writes up to written g for the clarinet, which appears in the Clarinet Concerto (third movement, bar 92).
The main theme of the fragment is based on Ferrando's aria "Ah, lo veggio" from Così fan tutte, K.588, and this completion borrows significantly from it.
This completion also incorporates the last page of Mozart's fragment (up to bar 110). The letters M. and B. throughout the score indicate which parts were composed by Mozart or the arranger, respectively.
To make it more accessible, this completion is intended for the more common standard clarinet, despite Mozart's intention having been a basset clarinet. With the exception of a low E-flat that Mozart wrote in the existing fragment, it does not use the basset notes; and an alternative is provided to play this note an octave up. The completion writes up to written g for the clarinet, which appears in the Clarinet Concerto (third movement, bar 92).
The main theme of the fragment is based on Ferrando's aria "Ah, lo veggio" from Così fan tutte, K.588, and this completion borrows significantly from it.