Partituras
Interpretaciones
Partituras generales
Holograph manuscript, 1863. (June-July).
Editorial
Holograph manuscript, 1863. (June-July).
Observaciones varias
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Österreichische Nationalbibliothek, Mus.Hs.3158. See also: Bruckner-online.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
Derechos de autor
Holograph manuscript, 1863. (June-July).
Editorial
Holograph manuscript, 1863. (June-July).
Observaciones varias
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Österreichische Nationalbibliothek, Mus.Hs.3158. See also: Bruckner-online.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
Derechos de autor