Andante très calme, presque adagio (No.1)
Partituras
Partituras y particellas
Max Eschig, 1985.
Editorial
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observaciones varias
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Derechos de autor
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Derechos de autor
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Derechos de autor
Max Eschig, 1985.
Editorial
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observaciones varias
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Derechos de autor
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Derechos de autor
En esta página
Max Eschig, 1985.
Editorial
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observaciones varias
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Derechos de autor
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Derechos de autor
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Derechos de autor
Max Eschig, 1985.
Editorial
Paris: Max Eschig, 1985. Plate M. E. 8154.
Observaciones varias
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Derechos de autor
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Holograph manuscript, n.d.[1934].
Editorial
Holograph manuscript, n.d.[1934].
Observaciones varias
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Derechos de autor