Partituras
Interpretaciones
Partituras
G. Ricordi & C., 1952.
Revisor
Gian Francesco Malipiero (1882–1973)
Editorial
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Derechos de autor
Instrumental Music, I-Tn Giordano 31 (38).
Editorial
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Observaciones varias
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Derechos de autor
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Revisor
Editorial
Éditions il delirio fantastico
Observaciones varias
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
G. Ricordi & C., 1952.
Revisor
Gian Francesco Malipiero (1882–1973)
Editorial
Le Opere di Antonio Vivaldi, Vol.XII, Tomo 147
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Milano: G. Ricordi & C., 1952. Plate P.R. 597.
Derechos de autor
Instrumental Music, I-Tn Giordano 31 (38).
Editorial
Instrumental Music, I-Tn Giordano 31 (38)
Manuscript, n.d.(ca.1720-36).
Manuscript, n.d.(ca.1720-36).
Observaciones varias
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 31 (f.357r-363r)
Derechos de autor
Baroquemusic.it, 2015.
Éditions il delirio fantastico.
Revisor
Editorial
Éditions il delirio fantastico
Observaciones varias
Edition based on the following manuscript: I-Tn, Giordano 31, Bl. 357-363. Copyist: Giovanni Battista Vivaldi
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.
This edition take into account the bars frequently missed in other editions, due to a wrong authenticity attribution of several deletion marks presents on the manuscript. Those marks were not written by Vivaldi's hand.