Partituras
Partituras y particellas
Schlesinger (Lienau imprint), n.d.1873 .
Editorial
Berlin: Schlesinger (Lienau imprint), n.d.1873 . Plate S. 6242.
Observaciones varias
Original images: ca.300dpi, color tif (from pdf) files approx. 3200 by 4000 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Derechos de autor
(Breitkopf und Härtel), n.d.(1871?).
Grabador
Leipzig: Breitkopf und Härtel.
Editorial
St. Petersburg: (Breitkopf und Härtel), n.d.(1871?). Plate 11759.
Observaciones varias
Engraving is identical to the Schlesinger edition. Plate is probably Breitkopf's. Only publishing information given is , property of Vollweiler's estate, and to be had at all good bookshops ("dans tous les magasins de musique"), a formula one sees occasionally on some 19th-century French scores too (and the corresponding information in Bibliographie de la France then is, no publisher, just the engraver and or "imprimeur", + sometimes, self (or here, estate)-published with their printing help.)
Strictly speaking and guesses aside though, one should restrict oneself to what one knows- self-published/publisher unknown (NoPubID).
Strictly speaking and guesses aside though, one should restrict oneself to what one knows- self-published/publisher unknown (NoPubID).
Derechos de autor
Schlesinger (Lienau imprint), n.d.1873 .
Editorial
Berlin: Schlesinger (Lienau imprint), n.d.1873 . Plate S. 6242.
Observaciones varias
Original images: ca.300dpi, color tif (from pdf) files approx. 3200 by 4000 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
Derechos de autor
(Breitkopf und Härtel), n.d.(1871?).
Grabador
Leipzig: Breitkopf und Härtel.
Editorial
St. Petersburg: (Breitkopf und Härtel), n.d.(1871?). Plate 11759.
Observaciones varias
Engraving is identical to the Schlesinger edition. Plate is probably Breitkopf's. Only publishing information given is , property of Vollweiler's estate, and to be had at all good bookshops ("dans tous les magasins de musique"), a formula one sees occasionally on some 19th-century French scores too (and the corresponding information in Bibliographie de la France then is, no publisher, just the engraver and or "imprimeur", + sometimes, self (or here, estate)-published with their printing help.)
Strictly speaking and guesses aside though, one should restrict oneself to what one knows- self-published/publisher unknown (NoPubID).
Strictly speaking and guesses aside though, one should restrict oneself to what one knows- self-published/publisher unknown (NoPubID).
Derechos de autor