Tilge, Höchster, meine Sünden, BWV 1083
Más información
Partituras
Interpretaciones
Partituras generales
Bärenreiter Verlag, 2000.
Revisor
Andreas Glöckner (b. 1950)
Editorial
Neue Bach-Ausgabe, Serie I, Band 41 (pp.169-237)
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Observaciones varias
600 dpi. Page size is 10.00 x 12.688 inches.
Derechos de autor
Stefano Paparozzi, 2020.
Revisor
Stefano Paparozzi (b. 1986)
Editorial
Stefano Paparozzi, 2020.
Observaciones varias
This is not a scientific critical edition, it's just an engraving made for study purpose. The main sources used are the parts manuscript available on IMSLP, conserevd in Staatsbibliothek zu Berlin (Mus. ms. 30199, Faszikel 14). There are major incoherences between dynamics in parts, so that a dynamic indication doesn't appear at the same time in all parts, or the written dynamics are different. I tried to make them homogeneous and coherent, but other sources would be necessary to know Bach's real intents. The same can be said about slurs, although this aspect has fewer (and less serious) issues. A more pondered edition is currently printed by Carus Verlag.
Tilge, Höchster, meine Sünden, BWV 1083
Más información
Bärenreiter Verlag, 2000.
Revisor
Andreas Glöckner (b. 1950)
Editorial
Neue Bach-Ausgabe, Serie I, Band 41 (pp.169-237)
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Kassel: Bärenreiter Verlag, 2000. Plate BA 5096.
Observaciones varias
600 dpi. Page size is 10.00 x 12.688 inches.
Derechos de autor
Stefano Paparozzi, 2020.
Revisor
Stefano Paparozzi (b. 1986)
Editorial
Stefano Paparozzi, 2020.
Observaciones varias
This is not a scientific critical edition, it's just an engraving made for study purpose. The main sources used are the parts manuscript available on IMSLP, conserevd in Staatsbibliothek zu Berlin (Mus. ms. 30199, Faszikel 14). There are major incoherences between dynamics in parts, so that a dynamic indication doesn't appear at the same time in all parts, or the written dynamics are different. I tried to make them homogeneous and coherent, but other sources would be necessary to know Bach's real intents. The same can be said about slurs, although this aspect has fewer (and less serious) issues. A more pondered edition is currently printed by Carus Verlag.