For clarinet and orchestra
Partituras
Interpretaciones
Arreglos y transcripciones
Manuscript, n.d.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Editorial
Manuscript, n.d.
Observaciones varias
Unusual layout with brass at the top of the page, used by Spohr but not Beethoven around the same time
Derechos de autor
Marnix van den Berg, 2021.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Revisor
Marnix van den Berg (b. 1978)
Editorial
Marnix van den Berg, 2021.
Observaciones varias
Based on the manuscript score.
1-5 /23
Massimo Restifo Pecorella, 2022.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Revisor
Massimo Restifo Pecorella (b. 2000)
Editorial
Massimo Restifo Pecorella, 2022.
Observaciones varias
This score is the transcription of a manuscript currently in custody at the Bayerische Staatsbibliothek in Munich. Bermann's original work has been lost and the manuscript in question is an official transcription by Peter Joseph von Lindpaintner dated 1818. It is unknown if the work was originally for clarinet and orchestra or if it was designed for a smaller ensemble. With the help of the technical consultant of the Court of Milan, it was possible to confirm the presence of three different handwritings and that is further confirmed by the double finale of the last movement. In this transcription, I chose to write all the parts linked to one hand and for this reason, I chose the second finale.
1-5 /14
En esta página
For clarinet and orchestra
For clarinet and orchestra
For clarinet and orchestra
For clarinet and orchestra
Manuscript, n.d.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Editorial
Manuscript, n.d.
Observaciones varias
Unusual layout with brass at the top of the page, used by Spohr but not Beethoven around the same time
Derechos de autor
For clarinet and orchestra
For clarinet and orchestra
Marnix van den Berg, 2021.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Revisor
Marnix van den Berg (b. 1978)
Editorial
Marnix van den Berg, 2021.
Observaciones varias
Based on the manuscript score.
For clarinet and orchestra
For clarinet and orchestra
Massimo Restifo Pecorella, 2022.
Arreglista
Peter Joseph von Lindpaintner (1791–1856)
Revisor
Massimo Restifo Pecorella (b. 2000)
Editorial
Massimo Restifo Pecorella, 2022.
Observaciones varias
This score is the transcription of a manuscript currently in custody at the Bayerische Staatsbibliothek in Munich. Bermann's original work has been lost and the manuscript in question is an official transcription by Peter Joseph von Lindpaintner dated 1818. It is unknown if the work was originally for clarinet and orchestra or if it was designed for a smaller ensemble. With the help of the technical consultant of the Court of Milan, it was possible to confirm the presence of three different handwritings and that is further confirmed by the double finale of the last movement. In this transcription, I chose to write all the parts linked to one hand and for this reason, I chose the second finale.