Partituras
Interpretaciones
Partituras
Manuscript, n.d.
Editorial
Manuscript, n.d.
Observaciones varias
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Derechos de autor
Schlesinger, n.d.[1836].
Revisor
Pierre Baillot (1771–1842)
Editorial
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Observaciones varias
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Derechos de autor
Manuscript, n.d.
Editorial
Manuscript, n.d.
Observaciones varias
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Derechos de autor
Schlesinger, n.d.[1836].
Revisor
Pierre Baillot (1771–1842)
Editorial
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Observaciones varias
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Derechos de autor