Complete
Partituras
Interpretaciones
Partituras y particellas
Manuscript, n.d.(ca.1700-49).
Editorial
Manuscript, n.d.(ca.1700-49).
Observaciones varias
Derechos de autor
Hans-Thomas Müller-Schmidt.
Meg Noah, 2024.
Revisor
Editorial
Meg Noah, 2024.
Observaciones varias
Transcribed from the Manuscript, n.d.(ca.1700-49), this transcription adds no embellishment. The Basso is transcribed here as just the cello part. The original manuscript used had no figured bass notation. Telemann's composition demonstrates his use of different combinations of instruments in unison to achieve exciting color. The purpose of this transcription is to provide the community with XML and midi files for annotating and arranging this exquisite Telemann dance suite from the 1700s.
Bourrée (No.3)
Bourrée (No.3)
Michel Rondeau.
Revisor
Editorial
Michel Rondeau
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.
En esta página
Listo
Complete
Complete
Manuscript, n.d.(ca.1700-49).
Editorial
Manuscript, n.d.(ca.1700-49).
Observaciones varias
Derechos de autor
Complete
Complete
Hans-Thomas Müller-Schmidt.
Complete
Complete
Meg Noah, 2024.
Revisor
Editorial
Meg Noah, 2024.
Observaciones varias
Transcribed from the Manuscript, n.d.(ca.1700-49), this transcription adds no embellishment. The Basso is transcribed here as just the cello part. The original manuscript used had no figured bass notation. Telemann's composition demonstrates his use of different combinations of instruments in unison to achieve exciting color. The purpose of this transcription is to provide the community with XML and midi files for annotating and arranging this exquisite Telemann dance suite from the 1700s.
Bourrée (No.3)
Bourrée (No.3)
Bourrée (No.3)
Bourrée (No.3)
Michel Rondeau.
Revisor
Editorial
Michel Rondeau
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.