Partituras
Interpretaciones
Partituras generales
Bärenreiter-Verlag, 1971.
Revisor
Nicholas Temperley (1932–2020)
Editorial
New Edition of the Complete Works, Vol.16 (pp.5-164)
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Derechos de autor
Holograph manuscript, 1830.
Editorial
Holograph manuscript, 1830.
Derechos de autor
Breitkopf und Härtel, 1900.
Revisor
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editorial
Hector Berlioz Werke, Serie I, Band 1
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Reimpresión
New York: E.F. Kalmus, n.d.[1933–70].
Observaciones varias
Apparently, the editors made the decision to swap several of the trombone and ophicleide (or tuba, in this case) parts in the fourth movement, completely eliminating the third trombone's infamous pedal tones.
Derechos de autor
Bärenreiter-Verlag, 1971.
Revisor
Nicholas Temperley (1932–2020)
Editorial
New Edition of the Complete Works, Vol.16 (pp.5-164)
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Derechos de autor
Holograph manuscript, 1830.
Editorial
Holograph manuscript, 1830.
Derechos de autor
Breitkopf und Härtel, 1900.
Revisor
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editorial
Hector Berlioz Werke, Serie I, Band 1
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Reimpresión
New York: E.F. Kalmus, n.d.[1933–70].
Observaciones varias
Apparently, the editors made the decision to swap several of the trombone and ophicleide (or tuba, in this case) parts in the fourth movement, completely eliminating the third trombone's infamous pedal tones.
Derechos de autor